went down into the basement, where I slept on an old oversized armchair arrangement. Listening to the hiss of the coal burning in the furnace, I fell into a sleep as sound as a dead manâs.
And my life moved on and there were other hunts, some better, some worse, and other deer and small game, and I did not really think of this buck again until it was time to write
Hatchet
and
Brianâs Winter,
when the buck became part of Brianâs life as well as mine.
CHAPTER 5
EATING EYEBALLS AND GUTS OR STARVING: THE FINE ART OF WILDERNESS NUTRITION
He looked out across the lake and brought the egg to his mouth and closed his eyes and sucked and squeezed the egg at the same time and swallowed as fast as he could. . . . It had a greasy, almost oily taste, but it was still an egg.
HATCHET
There are two main drives in nature: to survive and to reproduce. But the primary drive is to survive, for reproduction cannot occur without survival. In most of nature, the most important element in survival is finding food.
I spent a lot of time in winter camps with dogs while I was training for and running the Iditarod, and I could have learned a whole lifeâs lesson by studying just one animalânot the dog, not the wolf, but one type of bird: the chickadee.
Chickadees are simply amazing. They do not migrate but stay north for the winter; at forty, fifty, even sixty below, they not only survive but seem to be happy, fluffed up to stay insulated and warm, and tough beyond belief. I would find frozen grouse; frozen deer standing dead, leaning against trees; frozen rabbits; and two times, even frozen menâall killed by nature, by cold, by starvation or by blatant stupidity.
(Imagine going cross-country skiing in the dead of winter in thick, old-growth forest and not even bringing a book of matches or a butane lighter; the poor fool broke his leg on a small hill and froze to death in the middle of enough fuel to heat a small city.)
But I never found a dead chickadee. They are like little feathered wolves, except more versatile.
Iâm not sure exactly when, but at some point in my youth, in the wild, I decided that if it didnât grow or live in the woods I didnât want it. For a considerable time, in a very real way, I lived not unlike Brian in
Hatchet
. I would head into the woods with nothing but my bow and a dozen arrowsâeight blunts and three or four broadheadsâa small package of salt, some matches and little else.
When I first started to do this I found that luck had a large part to play in whether I ate, as it did with Brian. But as with Brian, two fundamentals had a great influence on my life. The first was the concept of learning. I went from simply walking through the woods, bulling my way until something moved for me to try a shot at, to trying to understand what I saw, and from that, to âfeelingâ what the woods were about: a sound here, a movement there, a line that looked out of place or curved the wrong way, a limb that moved against the wind at the wrong time or a smell that was wrong. And not just one of these things, not a single one but all of them mixed together, entered into my mind to make me a part of the woods, so that I came to know some things that were going to happen before they happened: which way a grouse would probably fly, how a rabbit or deer would run or what cover it would make for next.
This didnât come all at onceâat first it was slowâbut before long I understood things that I didnât quite know how I comprehended: a line would catch my eye and I would know,
know
that it was a grouse and that it was going to fly slightly up and to the leftâand it would happen in just that way. I would hear a sound, just the tiniest scrape or crack of a twig, and I would
know
it was a deer and that it had seen me and would run before I could turn and get an arrow off. To learn these things, to know how all of it worked and to be part of it, was one of
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