would be.â Stranahan briefly explained the circumstances that had brought him to the river.
The man nodded. âI was half hoping you wouldnât show. I found it this morning. Itâs hard to part with a box as nice as that one. My name is Patrick Willoughby, by the way.â
Stranahan took the outstretched hand. Just for a moment the man looked down, showing a bashful expression. A portly fellow with a moon face and thin lips, he reminded Sean of the late newscaster Charles Kuralt, who also had been a Montana fly fisherman.
âDo you own the cabin?â he said.
Recovering from his brief inability to hold Seanâs eyes, Willoughby peered up at him through the thick lenses of his glasses.
âItâs a joint ownership by our club,â he said. âWhen the estimable Weldon Crawford of yonder mansion bought the old Anderson ranch, he financed the construction by selling off a few parcels. When this one came on the market, we pounced.â
âYou mean Weldon Crawford Jr. from Kalispell? The congressman who introduced the bill to reinstate hunting for grizzly bears?â Bears were a polarizing issue in Montana. Crawfordâs efforts to remove federal protection and turn management over to the state had drawn national media attention.
âHe does make waves,â Willoughby said. âBut to tell you the truth Iâve not had the pleasure. Oh, weâve said hello a few times and Polly Sorenson was invited up to the house for dinner last yearâPolly is one of our membersâbut Iâve been here a week this summer and seen no sign of the man. The congressman, I mean.â
They had arrived at the cabin porch, having followed a small rill of water up from the river. Sean read the lettering burned into a piece of driftwood above the door: THE MADISON RIVER LIARS AND FLY TIERS CLUB.
Willoughby stepped out of his boot-foot waders, hung them from one of a series of pegs driven into the wall, and slipped his feet into sandals on the porch. He hung his hat on a nail.
âYou can leave your rod beside mine here in the rack,â Willoughby said. âWho made it, by the way? Iâm something of a student of vintage bamboo rods. You donât see them anymore, at least not many that catch anything but the dust over a mantelpiece.â
âMy father, actually.â
Willoughby peered at it through his glasses. âLooks a little like a Thomas Payne rod. Thatâs a compliment, by the way. Does it cast a nice line?â
âYou have to settle into its rhythm, but once you get used to it, it casts a very nice line.â
âMr. Stranahan, I can see you are a man after my heart.â
He opened the screen door and ushered Sean inside.
âDonât you want me to take these boots off?â Sean said.
Willoughby made a dismissive gesture with his hand. âWe go in and out of here in waders all the time.â He reached along the wall inside the door. The candle-tip bulbs of a chandelier flared. He hit another switch and a half dozen copper sconces cast the room in a warm amber glow.
The front room, consisting of the living area with a small kitchen alcove, was paneled in light wood and except for an ornately carved stool and two wicked-looking spears crossed over an African shield was furnished in American hunting lodge motifâslat-back couches and stuffed chairs with ducks in flight, casually arranged around a glass-topped coffee table littered with fishing magazines. On the shelves of matching bookcases were miniature glass domes like those used to display pocket watches. Classic British salmon flies tied with exotic feathers stood on clear pins protruding from the walnut bases. Other flies, mostly dries, were housed in custom-made wall display boxes that reflected prisms of light from the elk antler chandelier. Against the south-facing wall were a fireplace and chimney built from smooth river stones. The skull and horns of a bison were
Judith Arnold
Diane Greenwood Muir
Joan Kilby
David Drake
John Fante
Jim Butcher
Don Perrin
Stacey Espino
Patricia Reilly Giff
John Sandford