leather the colour of a tarred ship’s plank. Crude stitches of leather thread held the various pieces of the mask together and formed the sharply angled eyebrows that gave the impression of eyes set in a furious, piercing stare. To make the effect even more shocking, the blank eye was painted with white and black paint to look as though it was open and all-seeing, while the hole through which the Buzzard now gained his pitifully limited view of the world appeared to be a blank, blind void. The nose was a predatory beak, a hand span long, that thrust from his face in a cruel visual pun on his Buzzard nickname. Further stitches shaped the mask’s mouth into a permanently manic grin, made all the more ghastly by the jagged white teeth, with pitch black gaps between them that had been painted around the orifice through which he was expected to speak, eat and drink.
The Buzzard had once seen a mask like this hanging from the wall in a Portuguese slaver’s house. He had got it from the witch doctor of some tribe deep in the hinterland of Musa bin Ba’ik. Now this was his face … The Buzzard could not bear it.
Crying out in pain and frustration he clawed at the padlocks on the side of his head and neck, as if his few remaining fingers could break through the iron that bound him, and as he did so he encountered one last humiliation: a metal ring, attached to his collar, underneath his chin. He at once knew what it meant. If he displeased Jahan, or tried to escape, he could be chained to a wall, or dragged through the streets like nothing more than the lowliest pack animal or whipped dog.
The Buzzard fell to his knees, a broken man. He had survived burning and near-drowning. He had clung to life when the ocean and the sun had done their best to destroy him. He had endured pain beyond any mortal man’s comprehension and the looks of disgust from all who laid eyes on him. But this was the final straw.
Now Jahan came across and crouched down on his haunches beside the Buzzard and held out a metal cup, decorated with exquisite patterns of dark blue, turquoise and white enamel. Speaking as softly as he might to a frightened, angry young horse who had just felt a saddle on his back for the first time, he said, ‘Here, this is sweet, fresh sherbet. Drink.’
The Buzzard took the cup and drew it up to his mouth. He tilted it to drink and the cup banged against his leather beak, so that none of the liquid could escape it. He turned his head to one side and tried to pour the sherbet into his mouth but it just spilled across his mask and not a drop fell into his mouth. He nodded and bobbed his beaky mask into every position he could think of, but he could not find a way to drink.
As they watched this performance the other men in the room were first intrigued and then amused. Grey could not help himself. He gave an effeminate titter that set off the guards, and even Jahan, so that the room soon echoed to the sounds of their laughter that quite drowned out the Buzzard’s screams of impotent rage. Finally he threw the cup away and the clatter it made as it skimmed across the marble floor silenced the other men. Jahan spoke again, ‘Know this, you who used to be a lord and a ship’s captain. You have ceased to be a man. Stand, and I will show you how you will be given water to drink.’
Jahan clapped and a black African servant came into the room bearing a copper jug with a long spout of the sort used to water plants. The servant approached the Buzzard with wide-eyed horror on his face and, holding the jug as far away from himself as he possibly could, lifted it and poked the spout into the mask’s mouth hole. The Buzzard’s lips took the spout between them and he drank the cool water with pathetic eagerness and gratitude until Jahan clapped again and the spout was withdrawn.
‘You will be fed and watered by slaves, for whom the duty will be a form of punishment. When you walk through the streets women will turn their heads away
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