three sons helped him. The boat was huge, three stories high, three hundred feet long and fifty broad. There was a window in the boat, and a great door, and all the animals came in, seven by seven or two by two, and all the birds, and pairs of all the creeping things. And Noah joined them, with his wife, and his three sons, and his three sons' wives. The god's flood covered the whole earth. Except for those inside the boat, the god killed everyone. The god's flood killed the giants, who lived on the earth in those days, killed all the other animals and birds and creeping things. Only in their boat, above the mountaintops, eight people floated free, just eight in one family, they and the creatures they brought with them. 35
Hong's second name is there in other places too, for another god— described as "the highest Lord of all"—sent fire to destroy two cities with curious names, just as Ye-huo-hua had sent the flood to destroy the people of the earth. Like the first, this god was angry, for the people of these two cities gave themselves to lust and wildness, leaving no depravity unexplored; with his fire the god destroyed them, every trace, every person, every house, and finally the very soil itself, converting the land into a monstrous lake. But once again the god chose one family to be saved, that of a man named Lot. Lot had a wife, and two daughters, and god saved all four; till Lot's wife looked back at the blazing cities and was turned to salt. So only three remained. 36
Liang's book does not say what happened at the end of either story. What of that family of eight? What of the animals and birds crowded in around them? Did they float thus through all eternity? Did they ride the waves in their enormous boat, beneath the rain-sodden sky, forever and a day, skin and fur and feathers, until they became one with the water, the wood, and the wind?
And why salt?
Hong fails the examinations. He keeps the book.
4 SKY WAR
Hong has grown up in Guanlubu with many different gods, and paid homage to them in a host of ways. First in each year come the series of celebrations to honor the new year and the first full moon of spring, followed by the Qing- Ming festival in memory of the dead, and the Dragon Boat festival of five- five (the fifth day of the fifth lunar month). This festival, at which boats from different villages race each other on the rivers, honors the loyal but disgraced minister of a ruling house two thousand years before, who committed suicide in a southern stream after writing China's most celebrated lament. At the Dragon Boat festivals around Canton the people hang rushes and artemisia outside their doors, and offer horn-shaped cakes of sweet and sticky rice to their ancestors before sharing them among themselves, and with family and neighbors, while the children hang amulets and seals on colored threads around their waists. Despite the glory of their boats and their colorful costumes, the men competing for the prizes often erupt in fights, fed by the tension of the times and by old, still smoldering, feuds. Violence has grown so bad that in 1835 the governor from his office in Canton forbids the races to be held, an order that is observed by few, if any, villages.
After the celebration of the summer solstice, the year starts to turn toward its end. On the sixth day of the seventh month, so it is said, Heaven's daughter sends down her seven sisters, and so do the women in Hua county prepare festoons of colored silk and gather, in their best clothes, between noon and early afternoon, to worship the visitors and beg their help for skill in needlework. They hire blind singing boys and girls to chant their ballads and on their tables lay out fruit and flowers and pretty ornaments. The next day is double-seven, the festival of the herdboy and the weaving maid, who meet on that day only, using the Milky Way as their bridge. That festival overlaps with the early autumn feast of All Souls, when
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