God Help the Child: A novel

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Authors: Toni Morrison
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good for you like the dining room corner in Mommy’s house. The blue-and-white wallpaper I came to know better than my own face. Roses, lilacs, clematis all shades of blue against snowy white. I stood there, sometimes for two hours; a quiet scolding, a punishment for something I don’t remember now or even then. I wet my underwear? I played “wrestle” with a neighbor’s son? I couldn’t wait to get out of Mommy’s house and marry the first man who asked. Two years with him was the same—obedience, silence, a bigger blue-and-white corner. Teaching was the only pleasure I had.
    I have to admit, though, that Mommy’s rules, her strictdiscipline helped me survive in Decagon. Until the first day of my release, that is, when I blew. Really blew. I beat up that black girl who testified against me. Beating her, kicking and punching her freed me up more than being paroled. I felt I was ripping blue-and-white wallpaper, returning slaps and running the devil Mommy knew so well out of my life.
    I wonder what happened to her. Why she didn’t call the police. Her eyes, frozen with fear, delighted me then. The next morning with my face bloated from hours of sobbing, I opened the door. Thin streaks of blood were on the pavement and a pearl earring nearby. Maybe it belonged to her, maybe not. Anyway I kept it. It’s still in my wallet as what? A kind of remembrance? When I tend to my patients—put their teeth back in their mouths, rub their behinds, their thighs to limit bed sores, or when I sponge their lacy skin before lotioning it, in my mind I am putting the black girl back together, healing her, thanking her. For the release.
    Sorry Mommy.

T he sun and the moon shared the horizon in a distant friendship, each unfazed by the other. Bride didn’t notice the light, how carnival it made the sky. The shaving brush and razor were packed in the trumpet case and stowed in the trunk. She thought about both until she became distracted by the music on the Jaguar’s radio. Nina Simone was too aggressive, making Bride think of something other than herself. She switched to soft jazz, more suitable for the car’s leather interior as well as a soothing background for the anxiety she needed to tamp down. She had never done anything this reckless. The reason for this tracking was not love, she knew; it was more hurt than anger that made her drive into unknown territory to locate the one person she once trusted, who made her feel safe, colonized somehow. Without him the world was more than confusing—shallow, cold, deliberately hostile. Like the atmosphere in her mother’s house where she never knew the right thing to do or say or remember what the rules were. Leave the spoon in the cereal bowl or place it next to the bowl; tie her shoelaces with a bow or a double knot; fold her socks down or pull them straight up to the calf? What werethe rules and when did they change? When she soiled the bedsheet with her first menstrual blood, Sweetness slapped her and then pushed her into a tub of cold water. Her shock was alleviated by the satisfaction of being touched, handled by a mother who avoided physical contact whenever possible.
    How could he? Why would he leave her stripped of all comfort, emotional security? Yes, her quick response to his exit was silly, stupid. Like the taunt of a third grader who had no clue about life.
    He was part of the pain—not a savior at all, and now her life was in shambles because of him. The pieces of it that she had stitched together: personal glamour, control in an exciting even creative profession, sexual freedom and most of all a shield that protected her from any overly intense feeling, be it rage, embarrassment or love. Her response to physical attack was no less cowardly than her reaction to a sudden, unexplained breakup. The first produced tears; the second a flip “Yeah, so?” Being beaten up by Sofia was like Sweetness’s slap without the pleasure of being touched. Both confirmed her helplessness

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