molesting me.
“Yoo hoo, Billy? Come, Billy Billy?”
So, she would summon me by name to my torment. I raged into the pound; leaped at her with a howl I’d learned from the sheep-dog bitch across the Road. Kids sprang in all directions, tripping over their own legs; but though she dropped her grass and drew her hands back, the woman didn’t fly. There was no fright in her expression, merely alarm and something else. I rose up on my knees, clutched the mesh, and growled.
“No, no,” she said. She even squatted to my height, drew something from a bag, and offered it me to eat. I backed off and charged again, too furious now to care what trick she played me. I crashed against the fence, was thrown back, and crashed against the fence again. I whinnied and stamped and bared my teeth, bleated and barked and brayed; I flung a board and clots of turd at her, and all the while she pleaded, “No, Billy! Please!” The ruckus brought Max hobbling from the barn, where the kids had run. He found me rolling in the dirt with rage.
“Git! Git!” he cried at the woman. “Shoo! Go home!”
She began then to make a strange sound indeed, such as I had never heard: a kind of catching, snorting whimper. And water dropped from behind her eyeglasses as she turned away. I made to spring a final time to speed her off.
“Stillstand!”
Max snapped. What is more, he jabbed me in the thurl with the butt of his crook—the first rough use I’d ever had at his hands—and when instinctively I snorted and lowered my head at him like any stud-buck, he cracked me a sharp one across the chine and said, “Get on in, or I put a ring in your silly nose!”
So unexpected was the blow, and his speech so smarting, I ran a-yelp into the barn, more frightened than ever I’d been when my tower tumbled. The woman, just mounting her bike, let go another whoop of her curious noise; I heard Max shooing her off still. My face was wet. I wiped one arm across to see the blood from where he must have cut me—but found only water, that smeared my dusty wrist and was salt as our lick. My throat ached, my lip shook; now I too was wrenched with those bawling wows, which wracked the worse when Max clucked in to soothe me: then he hugged me, kissed my eyes, said “
Ach
, child, what’s the tears now?” and the entire barnyard rang with my first grief.
It was his chore to explain this noise as he had the other. The task was light: we’d used words between us oftener in the fortnight past, for one thing, so that my supply of them had tripled and quadrupled. Besides, the matter itself was less mysterious. In the weeks thereafter as I mused fitfully in my stall (no stranger to insomnia now), I tried experiments with both: laughter, I discovered, was easy to simulate but difficult to bring oneself to genuinely, while the reverse was true of tears. The hilariousest memories I could summon, such as Redfearn’s Tommy’s mistaking me for Max, brought no more than a smile to my lips; but at any of half a dozen contrary recollections—Tommy springing from my touch, Max threatening to ring my nose, the cream-haired woman not retreating from my charge—I was moved to sniffles and wet cheeks. In fact, I came to weep at the least occasion. Instead of attacking my visitors I wept in a corner of the barn; the sight of other kids frisking or of moonshine whitening the buckwheat watered my eyes; I wept at Max’s efforts to jolly me and at his impatience with my tears; I wept even at weeping so; I wept at nothing.
Also I made friends that spring with restlessness. When all goatdom and its keeper were asleep I prowled the pasture, spooking deer and flushing woodcocks from their rest; or I would hang my chin over the fence and stare down the Road that led to the Barns Where Humans Slept—and which Max told me it was death for goats to walk upon. In the daytime, when we all went out to browse, I took to slipping from the herd and wandering by myself through the great black
Philip Kerr
C.M. Boers
Constance Barker
Mary Renault
Norah Wilson
Robin D. Owens
Lacey Roberts
Benjamin Lebert
Don Bruns
Kim Harrison