potato chips and drinking liquor so noxious I could feel my liver corroding before it even reached my stomach.
On this particular occasion, I found a chair in a corner of the kitchen, next to an artist who wrote and drew a comic about a zombie superhero. I pretended to be interested.
âZombo is like a classic superhero, with foibles, anxieties, and problems. You know the whole Stan Lee thing,â he told me.
âWhat are his superpowers?â I asked.
âWell, heâs immortal because heâs already dead. He lives in a grave and only comes out at night. He defends democracy and he protects his girl.â
âWhy would a zombie care about democracy?â
âBecause heâs a modern vigilante.â
âOh, of course,â I said, suppressing a laugh.
A woman dressed head to toe in black, with full lips painted the same color, approached.
âSo whatâs Zombo up to these days?â she asked with a smile. She had a subtle accent I couldnât place.
âDefending the world from injustice.â
âAnd protecting democracy from its enemies?â she added, giving me what seemed like a conspiratorial look.
âHave you met Joaquin? Heâs a disc jockey.â
âA disc jockey?â she asked, considering me coolly.
I let the question go unanswered. I didnât want to talk about my job.
âI knew a disc jockey once. Killed himself by jumping in front of a train,â Alondra said.
I didnât know what to make of this comment. Hostility? Ridicule? I wasnât sure.
Unable to think of a rejoinder, I asked her name.
âAlondra,â she said. It sounded like a challenge.
âAre you also an expert on zombies?â I asked, hoping to sound witty.
âIâm an expert on a lot of things. But zombies arenât a favorite.â
Zomboâs creator grasped Alondraâs sarcasm and his face fell. I seized the moment.
âFrankly, my main problem with Zombo is that he has a really stupid name,â I ventured.
He stared at me in confusion; he was obviously trying to hold in the anger that would make him look like what he was: a ridiculous, easily offended cartoonist. He decided to laugh instead.
âItâs meant to be stupid,â he said limply.
âHis nameâs the least of his worries. Believe me. Iâve read most of his adventures,â Alondra said, moving closer to me.
âWell, itâs a work in progress.â
âProgressively decomposing. But for a zombie, that might be a good thing.â
Crestfallen, the artist got up and limped away.
I already liked everything about Alondra: her face, the black dress she wore trimmed with antique lace, her hair, her hands; the accent that seemed ripped from the soundtrack of an old Superman cartoon.
âSo, what do you do?â I asked.
âGuess,â she said, a hint of playfulness dancing in her eyes.
âWell, you dress like youâre in a Goth band, which means youâre not.â
âGood.â
âToo sarcastic for an actress.â
âMuch too sarcastic.â
âToo independent to have come here on someoneâs arm.â
âYes, my arms are free.â
âAnd since this is a party for underground-comics people, you must be one of them.â
âNice deduction, Sherlock.â
I gave her a courtly bow.
âThe guest list kind of tipped my hand.â
I nodded.
âWhat might you have guessed without that?â
âSerial killer?â I blurted out.
She laughed and some of her armor slipped away.
The conversation shifted, becoming easier, looser.
We talked about comic books and hip-hop, politics and food, Web sites and the crime rate in Mexico City. She told me a little about the trajectory that had carried her to the Federal District.
âYou hungry?â she wanted to know.
âHardly at all now. I ruined my appetite with a rancid bag of something I found lying around here,â I
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