classmates, sir â together and individually. I think most of them already share a similar vision.â
âOK,â said Jim, âenough of this spiritual malarkey. In this class, Special Class Two, there is only one higher power, and that higher power is called M-E, me. My name, for those who donât already know it, is Jim Rook, and if you want to express my purpose here in a spiritual way, I will be doing my best during the coming college year to lead you out of the wilderness of street slang and text speak and general illiteracy into the promised land of nouns and verbs and adjectives and sentences that actually make some kind of sense.â
A pale-skinned African-American boy sitting right in front of Simon Silence put up his hand. He had a long face and bulging eyes and wing-nut ears with at least half a dozen gold earrings in each of them.
âHate to say this, sir, but that sound to me like a whole shitload of hard work for nothing. Nobody never has no trouble understanding me now. I make good enough sense.â
âWhatâs your name, son?â Jim asked him.
âJordy Brown, sir.â
âWhose face is that on your T-shirt, Jordy?â
âSnoop Dogg, sir.â
âWell, to give him his proper name, itâs Calvin Cordozar Broadus, Junior. But do you know what Calvin Cordozar Broadus, Junior, is most famous for saying?â
Jordy Brown grinned broadly. âYes, sir, he say that Britney would make a better prostitute than Christina cause sheâs thicker.â
âYes, he said that. But he also said that if the only job you can get is flipping burgers at McDonalds, make sure that youâre the best burger flipper that ever was. Like,
ever
â in the whole history of burger flippery.â
âI ainât goinâ to flip no burgers at McDonalds, sir. Not never.â
âMaybe not. Donât count on it. But you
are
going to be speaking and writing English for the rest of your life, so make sure youâre the best English speaker and writer you can possibly be.â
Jordy Brown twisted around to look at Simon Silence, as if he were appealing for a second opinion, but Simon Silence simply raised one of his blond, almost-invisible eyebrows, and shrugged. Jim thought:
at least somebody in this classroom knows that Iâm talking sense, even if he doesnât talk much sense himself.
âRight,â he said, turning to the blackboard. âHere we see the name of Rachel X. Speed, an award-winning poet who made her name by writing very gritty, in-your-face kind of poems. She wrote about stuff that poets donât usually write about, like losing babies and falling in love with other women and falling in love with all the wrong men.
âThis poem is called
A New Language of Love
and when Iâve finished reading it to you, I want you each to write down what you think of it. One sentence will be enough. Three sentences will be plenty, but â hey â donât think that Iâm stopping you from writing more if you want to. You can write me a whole book if you like.â
He opened the slim, black-bound collection of Rachel X. Speedâs poetry and started to read.
âYou came home last night.
My love, my lover.
You came up the stairs and I opened the door wide to welcome you.
You hit me.
You said not a single word, not even that you hated me.
I sit here now, watching you sleep.
My love, my lover.
Trying to understand what you were telling me.
Itâs three a.m.
On the other side of the room hangs a portrait of me
An oval portrait that moves when I move.
And writes, whenever I write.
A portrait that shows what you have done to me by hitting me so hard
Both of my eyes are crimson, like a clownâs, and my lips are split
My love, my lover.
I always believed you when you said you loved me
So, when you stopped talking to me â
When you started hitting me instead
What was I to think?
You didnât
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