Franny and Zooey

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Authors: J. D. Salinger
Tags: Literature/Poetry
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Buddy (who was a writer, and consequently, as Kafka, no less, has told us, not a nice man) called her pre-notification-of-death uniform. It consisted mostly of a hoary midnight-blue Japanese kimono. She almost invariably wore it throughout the apartment during the day. With its many occultish-looking folds, it also served as the repository for the paraphernalia of a very heavy cigarette smoker and an amateur handyman; two oversized pockets had been added at the hips, and they usually contained two or three packs of cigarettes, several match folders, a screwdriver, a claw-end hammer, a Boy Scout knife that had once belonged to one of her sons, and an enamel faucet handle or two, plus an assortment of screws, nails, hinges, and ball-bearing casters--all of which tended to make Mrs. Glass chink faintly as she moved about in her large apartment. For ten years or more, both of her daughters had often, if impo-tently, conspired to throw out this veteran kimono. (Her married daughter, Boo Boo, had intimated that it might have to be given a coup de grace with a blunt instrument before it was laid away in a wastebasket.) However Oriental the wrapper had originally been designed to look, it didn't detract an iota from the single, impactful impression that Mrs. Glass, chez elle, made on a certain type of observer. The Glasses lived in an old but, categorically, not unfashionable apartment house in the East Seventies, where possibly two-thirds of the more mature women tenants owned fur coats and, on leaving the building on a bright weekday morning, might at least conceivably be found, a half hour or so later, getting in or out of one of the elevators at Lord & Taylor's or Saks or Bonwit Teller's. In this distinctly Manhattanesque locale, Mrs. Glass was (from an undeniably hoyden point of view) a rather refreshing eyesore. She looked, first, as if she never, never left the building at all, but that if she did, she would be wearing a dark shawl and she would be going in the general direction of O'Connell Street, there to claim the body of one of her half-Irish, half-Jewish sons, who, through some clerical error, had just been shot dead by the Black and Tans.
     
        Zooey's voice suddenly and suspiciously spoke up: "Mother? What in Christ's name are you doing out there?"
     
        Mrs. Glass had undressed the package and now stood reading the fine print on the back of a carton of toothpaste. "Just kindly button that lip of yours," she said, rather absently. She went over to the medicine cabinet. It was stationed above the washbowl, against the wall. She opened its mirror-faced door and surveyed the congested shelves with the eye--or, rather, the masterly squint--of a dedicated medicine-cabinet gardener. Before her, in overly luxuriant rows, was a host, so to speak, of golden pharmaceuticals, plus a few technically less indigenous whatnots. The shelves bore iodine, Mercurochrome, vitamin capsules, dental floss, aspirin, Anacin, Bufferin, Argyrol, Musterole, Ex-Lax, Milk of Magnesia, Sal Hepatica, Aspergum, two Gillette razors, one Schick Injector razor, two tubes of shaving cream, a bent and somewhat torn snapshot of a fat black-and-white cat asleep on a porch railing, three combs, two hairbrushes, a bottle of Wildroot hair ointment, a bottle of Fitch Dandruff Remover, a small, unlabelled box of glycerine suppositories, Vicks Nose Drops, Vicks VapoRub, six bars of castile soap, the stubs of three tickets to a 1946 musical comedy ("Call Me Mister"), a tube of depilatory cream, a box of Kleenex, two seashells, an assortment of used-looking emery boards, two jars of cleansing cream, three pairs o£ scissors, a nail file, an unclouded blue marble (known to marble shooters, at least in the twenties, as a "purey"), a cream for contracting enlarged pores, a pair of tweezers, the strapless chassis of a girl's or woman's gold wristwatch, a box of bicarbonate of soda, a girl's boarding-school class ring with a chipped onyx stone, a bottle of

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