this. Is it true about the bridge?â
âWhat about the bridge?â
âThat we blow up an obscene bridge and then have to obscenely well obscenity ourselves off out of these mountains?â
âI know not.â
â You know not,â AgustÃn said. âWhat a barbarity! Whose then is the dynamite?â
âMine.â
âAnd knowest thou not what it is for? Donât tell me tales.â
âI know what it is for and so will you in time,â Robert Jordan said. âBut now we go to the camp.â
âGo to the unprintable,â AgustÃn said. âAnd unprint thyself. But do you want me to tell you something of service to you?â
âYes,â said Robert Jordan. âIf it is not unprintable,â naming the principal obscenity that had larded the conversation. The man, AgustÃn, spoke so obscenely, coupling an obscenity to every noun as an adjective, using the same obscenity as a verb, that Robert Jordan wondered if he could speak a straight sentence. AgustÃn laughed in the dark when he heard the word. âIt is a way of speaking I have. Maybe it is ugly. Who knows? Each one speaks according to his manner. Listen to me. The bridge is nothing to me. As well the bridge as another thing. Also I have a boredom in these mountains. That we should go if it is needed. These mountains say nothing to me. That we should leave them. But I would say one thing. Guard well thy explosive.â
âThank you,â Robert Jordan said. âFrom thee?â
âNo,â AgustÃn said. âFrom people less unprintably equipped than I.â
âSo?â asked Robert Jordan.
âYou understand Spanish,â AgustÃn said seriously now. âCare well for thy unprintable explosive.â
âThank you.â
âNo. Donât thank me. Look after thy stuff.â
âHas anything happened to it?â
âNo, or I would not waste thy time talking in this fashion.â
âThank you all the same. We go now to camp.â
âGood,â said AgustÃn, âand that they send some one here who knows the password.â
âWill we see you at the camp?â
âYes, man. And shortly.â
âCome on,â Robert Jordan said to Anselmo.
They were walking down the edge of the meadow now and there was a gray mist. The grass was lush underfoot after the pine-needle floor of the forest and the dew on the grass wet through their canvas rope-soled shoes. Ahead, through the trees, Robert Jordan could see a light where he knew the mouth of the cave must be.
âAgustÃn is a very good man,â Anselmo said. âHe speaks very filthily and always in jokes but he is a very serious man.â
âYou know him well?â
âYes. For a long time. I have much confidence in him.â
âAnd what he says?â
âYes, man. This Pablo is bad now, as you could see.â
âAnd the best thing to do?â
âOne shall guard it at all times.â
âWho?â
âYou. Me. The woman and AgustÃn. Since he sees the danger.â
âDid you think things were as bad as they are here?â
âNo,â Anselmo said. âThey have gone bad very fast. But it was necessary to come here. This is the country of Pablo and of El Sordo. In their country we must deal with them unless it is something that can be done alone.â
âAnd El Sordo?â
âGood,â Anselmo said. âAs good as the other is bad.â
âYou believe now that he is truly bad?â
âAll afternoon I have thought of it and since we have heard what we have heard, I think now, yes. Truly.â
âIt would not be better to leave, speaking of another bridge, and obtain men from other bands?â
âNo,â Anselmo said. âThis is his country. You could not move that he would not know it. But one must move with much precautions.â
4
They came down to the mouth of the cave, where a
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