determinedly through it, and slammed it shut behind him.
Without a glance at Firefly, without any gesture of reproval or satisfaction, and in no hurry, Isidro followed him.
The melon-head was left alone in the cubicle. A sick silence again took hold of everything, an exasperating calm, like after a curse. Or the filth of sex.
Firefly then contemplated the city from another window.
The sky was leprous. Humidity and heat, like acid, had corroded the soaring façades piled upon one another; purple peelings, like scabs or oozing cankers, curled from broken lintels, triangular porticos, and cracked volutes. On the sagging roofs nested seabirds, speckled lizards with spiny tails, raucous macaws, and mesmerized cats, indifferent to the hordes of rodents.
Making his way down the winding cobblestone alleys, amidthe cries of washerwomen and the scurrying of pickpockets and children, was an emaciated blond teenager, long-haired, barefoot, and bearded, wearing a violet-and-gold cape and hauling a wooden cross. With his right hand he held up a sign: crude red letters announced the apocalypse and called on the pope to reveal the prophecies of Fatima.
Heading in the other direction, unperturbed by the prediction, was a stout black man, his muscled chest shining with sweat, as if swathed in dusky silk, under the weight of the casket on his back.
The geometries of windows, semicircular arches held by slight copper frames, stood out in the fractured walls above doorways splayed permanently open. Scarlet, lime-green, mustard, and amethyst windowpanes projected daubs of color onto the tiled floors of darkened rooms, deforming their polished checkerboards of floral motifs and sweeping still lifes.
On one façade, above a trim of broken tiles and alongside a stucco niche containing a hairless and bloodied Christ with slanty eyes â a relic of Macao â a few tarnished gold letters remained.
Clothes floated on lines; flapping in the hot wind that presaged a storm were mended handkerchiefs, yellowing lace bedcovers, silver dresses, dazzling rags fit for welcoming an orishaâs descent or for leading a sumptuous procession.
From afar came the sounds of raucous jingle bells, off-keyhorns, and damp maracas from some fiesta; a strong aroma wafted in: grated coconut with butterscotch.
Downstairs, Firefly thought he heard something like the stumbling of a drunk. Then the big bolt opening. And the slamming of the door.
The wind blew hard. The rain had begun.
He understood then that he was expecting someone, but was convinced that no one was going to come .
* So, the prediction returns.
F IREFLY OUT COLD
He decided to escape. That morning he took a long look at himself in the mirror, deep into his own eyes. He ran his index finger along the fuzzy shadow above his lips. By now, his bamboo-flute tones were breaking into sudden bass notes that belonged to a voice nothing like his own: that of the someone else he would later become, but who was already keeping watch over him like a resourceful double from the vantage of his future, where all things appear ideal, incorruptible, until the present devours them.
He could make no sense of the reality around him. Such murkiness was lethal. The intrigue of the inexplicable visits, but one example of the pervasive darkness, threatened him like a daily warning blown his way by the Toothless One.
Suddenly one afternoon, like just before an earthquake, everything fell silent. The sky turned into a gray metal plate, insufferably heavy, that seemed to keep watch, mirrorlike.
The goldfish, as if struck by an electric current, jumped in unison out of the pond and did full somersaults on the cement floor up to the foot of the ceiba tree. As fast as he could, Firefly collected them and tossed them, still covered in dirt, back into the water. Though slowly, some of them began to swim again, seeming half asleep; others floated belly-up, shaken by brief spasms. Firefly scolded them, threatening
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