that way before Reverend Sprague brought the family in.
Escape. Was that how it would look? The murderess overcome by guilt? The discarded sweetheart overcome by remorse or grief or shame? It doesn’t matter what they think, Anne thought. I cannot do this to Victoria.
She put her gloved hand on the back of the pew in front of her. Behind her a man coughed, trying to muffle the sound with his hand. Anne pulled her handkerchief from her muff and put it to her mouth. She coughed twice, paused, coughed again, and stood up and walked quickly to the side door.
She shut the door behind her and hurried along the drafty hall, shivering in the thin silk and the light pelisse.
“Let us pray,” Reverend Sprague said, and she found herself almost upon the family. They stood in a dejected little knot, their heads bowed, Victoria and her father and Elliott’s father. The face of Elliott’s father was gray, and he leaned heavily on his cane, his eyes open and staring blindly at the wall.
Ann backed hastily down the hall to the robing room. The door was locked, but there was a large key in the keyhole. She turned it, rattling it loudly in her haste. “Anne,” she could hear Reverend Sprague say, and she pulled the key free, opened the door and slipped inside, pulling the door to behind her. It was very dark. Anne felt along the wall for a lamp sconce. Her foot brushed against something, and she bent down. It was a candle in a metal holder. Two phosphorus matches lay in the candleholder, and she struck one, lit the candle, and still kneeling, looked at the room.
It looked as if it had not been used in years. Reverend Sprague did not approve of robes and other “papist trappings” except at Christmas. The black robes hanging on their pegs were heavy with dust. Two black-varnished pews stood against one wall, and several wooden chairs. Anne stood up, holding the candle. She shook the dust from thehem of her dress and went to the door. The organ had begun.
She blew out the candle and set it on one of the dusty pews, still listening. The organ stopped, and then started again, and she could hear the low rumble of the congregation singing. She felt her way to the door and opened it a little to make certain no one was in the hall. Then she let herself out and replaced the key in the lock. The organ ground into the amen. She nearly ran down the hall.
Anne was almost at the door before she saw the man. He had just come in and had turned to close the door gently behind him. Anne did not recognize him. He had reddish-brown hair under a soft, dark cap and was wearing a short dark coat and heavy boots. Victoria’s brother, Anne thought, and waited for him to turn.
He seemed to be having some trouble with the door. He could not seem to shut it, and when he straightened, Anne could see a thin line of light where the door was still open. The man turned around.
“Elliott,” Anne said.
He smiled disarmingly. “You look as though you’d seen a ghost,” he said. “Did I frighten you?” he said, as though he were amused at the idea. The organ began again.
“Elliott,” she said. He didn’t seem to hear her. He was looking toward the sanctuary. Under the dark open coat he was wearing a white silk shirt and a black damask vest. Anne thought of her own ruined cloak. He had not come to meet her after all. He had left her standing on the island in the rain all night long. He had left them all thinking he was dead. “Where have you been?” she whispered.
“Away,” he said lightly. “When you didn’t come to meet me I decided to go up to Hartford. What’s going on in there? A funeral?”
“Your funeral,” she said. She could not get her voice above a whisper. “We thought you were drowned. They dragged the river.”
“I have always liked funerals,” Elliott said as if he had not heard her. “The weeping fiancée, the distraught father, the minister extolling the deceased’s virtues. Are there flowers?”
“Flowers?” Anne
Sarah J. Maas
Lin Carter
Jude Deveraux
A.O. Peart
Rhonda Gibson
Michael Innes
Jane Feather
Jake Logan
Shelley Bradley
Susan Aldous, Nicola Pierce