Wrong phone. I need a phone that can’t be traced. The safe. I take out the key and open it. I pull out a phone. I hit the power button but nothing happens. I hit it again. Dead battery. I pull out another phone. Dead as well. I fumble in my pocket for the battery from the first phone I used. It is the wrong make. I reach for the office phone. I have no choice. Anyway the phone I’m calling is a Pay As You Go - not traceable. I dial the number and wait. It rings and rings then cuts out. I try again. Still nothing. I try a third time and it is answered. ‘I told you not to phone again. Anyway it’s done. He’s outside the building. Don’t think he’ll make it. Need to go.’ All of this was said in one breath. The connection is severed. I ring back but the line is dead. What’s done? Not Leonard. Outside the building? What building? This building? Of course this building. Didn’t they tell me not ten minutes ago that they were in the building? ‘Don’t think he’ll make it?’ That means he isn’t dead yet. I kick back from my desk. The chair leaves a mark in the wall that will need filler. Outside the building. Leonard Thwaite is outside the building. Dying outside my building! I dive through the office and hit all the lift buttons. Up and down. The lift arrives. I jump in and press for the ground. I pause. The top floor button is lit. I realise there is a woman in the lift and a second later I’m back on my floor waiting on the next lift. I look up. None of the lifts are within ten floors of me. I decide to take the stairs. I know this is irrational. Waiting on a lift will be far quicker but I need to be doing something. I hammer through the fire escape door. The stairs vanish under my feet - three steps at a time. There are two flights of stairs per floor. At the bottom of each flight I fling myself round by the hand rail, I pick up speed. Twice I miss my footing and come within inches of a cropper. The final flight appears and then I’m out in the lobby. I can see a large crowd outside. I rush to join them. The sound of an approaching ambulance can be heard. I squeeze my way into the crowd and towards the front. I ignore the indignant mutterings as I force myself through. In the centre I find two guards, a policeman and a man lying on the ground. The policeman is beginning to push people back, telling them to move on. He is standing between me and the man on the pavement. I edge round to get a better look. He confronts me and asks me to move along. I try to ignore him. He gently grabs my arm and steers me away. I contemplate saying I know the man but realise that would be folly. I pretend to walk away. I then circle back to the other side. The policeman keeps moving everyone on. He notices I’m not leaving and he starts over to me. I decide to call it quits and walk off. The frustration is immense. I need to know if the man on the ground is Leonard. I need to know that if it is Leonard then is he alive? I need to know that if he is alive then will he stay alive? I stop walking away and make my way over to the building side of the pavement. I edge myself back to the scene. If the policeman asks I’ll say I work there. Hardly a lie. I pass by the circle of people and gain the front entrance of the building before taking a further eight or nine steps. I turn and walk back to the incident. This time the policeman is at the far side of the crowd talking to someone else. I move in. The guard is still kneeling down next to the man. I have to move round to get a better view. I see the blood, running from body to gutter. The man looks like Leonard from this angle. I try to get a better view. The man is curled in a ball on the ground and I can’t be sure. I keep circling, my eyes fixed on the man’s head. I bump into someone and look up. The policeman. ‘Have I some interest in what is going on?’ ‘No.’ ‘Wasn’t I told to move on?’ ‘Yes.’ ‘So why am I back?’ I’m struggling on that