flooring, the fingers also missing, the arm smashed to bits at the elbow so the forearm protruded at an impossible angle from the body. Impossible if youâre alive, I mean. When the tech moved I saw the feet lying flat against the floor, the ankles smashed and both feet also nailed to the floor.
âDifferent pattern with the fingers,â a CSU tech said. âHand on the door, somebody just whacked it off with one blow. Probably used this.â Pointing at a meat cleaver on the Formica countertop. âBut this handâ¦first they nailed it down. Roofing nails, Iâd say. Zinc heads. Then Joey hereââ
âJoey?â I said. âYouâve got an ID?â
âTom, Dick, Joey, whatâs the difference? They started out, they took off one finger at a time. The other two, in the living room, shotgun with no hesitation. Didnât even have weapons, but whoever came in here, they wanted something only from Joey here. Did his teeth first. Then,near as I can tell without running some DNA and blood analysis, this guyâs hand? Itâs been chewed on.
âChewed?â Kyle said. âHe trying to fight off the horror?â
âNah. Heâs already nailed down. My guess? A dog.â
âA dog,â Kyle said. âJesus. I always think Iâve heard it all.â
The tech placed a latex-gloved finger under the bodyâs jaw, turned it so I could see his mouth.
Bits of teeth and bone.
âTeeth first, or last?â another CSU tech said. âBut not random, Iâd say.â
âBled out from both hands and mouth, small amount from the feet. They left this guy alive long enough to find what they wanted. Then they put the shotgun against his back, wham. Random?â
âThese arenât gangbangers out to get revenge for some vato humping another vato âs sister. This is deliberate.â
âWhy are you so sure about that?â I said, done with my digital photographs.
âWell, Iâm not. But first off, thereâs the familiar death card. La Bruja warns all snitches and rats and witnesses. No me jodas . Plus, in seven years working homicides, Iâve seen all kinds of mutilations, this just has the smell of deliberate torture, you know what I mean, lady?â
I did.
I went into the living room.
Sensory overload. Not the shotgun pattern. Nine double-ought pellets, bloody holes splattered across each manâs shirt. The pattern tight, the shotgun probably no more than five feet away.
Not the pattern, nor the blood. Not the missing fingers. Just every detail of the room:
cheap mesquite and fake rattan furniture
overstuffed sofa and matching chair with huge cushions
a dead woman
a dead young child
The woman and child had been irrelevant to the killers. I worked extra hard shutting down my gut feelings, shooting one picture after another.
Kyle moved next to me, his mouth to my ear.
âGuy was our inside man. Three years it took to get him inside. Now heâs just toast.â
Rental house furniture with a busy tan and rust fabric that wouldnât show stains, the kind of junk you buy at a chain discount furniture outlet, no payment for one year, no interest for two. Five-foot-long faux brass coffee table, the mirrored top crazed with age. Flat black assemble-it-yourself entertainment center with expensive flat-screen TV and surround-sound speakers and DVD equipment. Biker and car magazines everywhere, stacks of porn tapes and DVDs.
I shot over a hundred images. Different aperture, different times. Had to mount my flash on the Nikon shoe for the body in the corner. Enough. I went out to the front yard, leaned against a TPD car in the driveway, hands down in front, holding the Nikon while I tried a mantra, to get the whole sensory data out of my system, I couldnât leave the crime scene unless I started reclaiming myself before I drove away. I canât do this work much longer, a thought which had distracted me a
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