about looking the way I did?
I needed a mom to explain, to guide me through it all. I couldnât talk about it with Dad. And it was hard to talk about it with my friends.
I know, I know. I should feel lucky to be tall and blond. Ann-Marie tells me how lucky I am nearly every day.
But sometimes I just feel so awkward. Like people are judging me because . . . because I stand out.
Boo hoo, right?
Ann-Marie never lets me get away with feeling sorry for myself. And sheâs right.
But I feel sorry for myself on my birthday, and I have good reason. Itâs been fourteen years. I still dream about that smashed birthday cake oozing yellow icing onto the street. And I still miss Mom.
âSure, Iâll go out to dinner with you Monday night, Dad.â
âYou will?â Such surprise in his voice.
âYeah, why not? As long as we donât talk about birthdays.â
âI canât believe my little girl is twenty-four. Hear me sighing. Sigh, sigh.â
âYouâre still young, Dad. Youâve got your whole life behind you.â
âOh, now youâre using
my
jokes?â
âYeah. Pretty sad, huh?â
âWell . . . I think if you . . .â
âIâm losing you, Dad. Youâre breaking up. You shouldnât have bought the cheap phone. Dad? Hey, Dad?â
âOh, did
you
want coffee, too?â Rita Belson pulled the cardboard coffee container from a paper bag and set it on her desk. âSorry. I should have asked.â
âItâs okay,â I muttered.
Weâd been working together for over a year, and I think maybe in all that time sheâd brought me coffee once or twiceâboth times, not what Iâd ordered.
Hostile?
Yes, Rita was hostile. And she didnât make much effort to cover it up.
It was three oâclock in the afternoon, and I could have used a cup of coffee. Iâd spent most of the day writing letters to authors and publishers and printers, boring stuff about contracts and payments and publishing schedules.
Childrenâs publishing is not all bunny rabbits and FurryBears, believe me.
Rita made a big deal of sifting through her stack of phone messages before sitting down at her desk to drink her coffee. She gets a lot of calls, most of them personal. She seems to have a lot of guys calling her, and she talks to them all every day.
We share a room with four gray-walled cubicles. Across from us sit Edith, a little gray-haired woman who answers the phone, and Brill, Saralynnâs lanky, blond, efficient, and always fashionably dressed assistant. That means Rita and I are side by side, so I can hear every word she says on the phone.
And a lot of it is about the âgreat sexâ she had the night before.
Whew.
Of course, when Saralynn enters the room, Rita suddenly becomes all business on the phone. She usually pretends sheâs discussing a manuscript with an author. I guess her many admirers understand what sheâs doing.
Saralynn never catches on. Rita has Saralynn totally snowed.
Rita isnât bad-looking. I can see why guys find her attractive. For one thing, she has a great body, and she shows it off well, mostly in designer stuffâTSE cashmere sweaters and scoop-necked Tâs; short, pleated skirts over dark stockings; a gray pinstriped Armani suit thatâs to die for.
She has straight, black hair down to her collar around an oval face, big blue-gray eyes, a sexy smile with one dimple in her right cheek, and a little nip of a nose, cute as a button, obviously not her original.
âGood job on this
Pioneer Girl
manuscript, Rita.â Saralynn walked quickly into the room and set the stack of pages on Ritaâs desk. âThe ending really works now.â
Rita glanced at me before she turned to Saralynn. âOh, thanks. It didnât work at all when Charlene sent it in. And the middle was a mess. I had to rewrite the whole thing. I didnât want to send it back to her again
Stephen Solomita
Donna McDonald
Thomas S. Flowers
Andi Marquette
Jules Deplume
Thomas Mcguane
Libby Robare
Gary Amdahl
Catherine Nelson
Lori Wilde