removed from the sandy man's pocket while he was holding her, poking it behind a row of bottles.
She sprinkled the powder on his back, set down the can, and worked her hands along his spine and scapula. His muscles jumped and twitched beneath her palms, not at all like the loose, unresisting flesh of Mr. Ten Fifty-Five. She had the impression the sandy man was poised to leap off the table at the first sign of suspicious behavior. She heard glass breaking in another part of the building as Leon continued his search for the blue stones.
Iiko was a good masseuse. Unlike some of her fellow employees, who merely went through the motions until the big moment when they asked the customers to turn over, Iiko had been trained by a licensed massage therapist. She flattered herself that she still managed to give satisfaction even under the strictures of probation. Gradually she felt the sandy man's body relax beneath her expert hands.
To maintain contact, she kept one palm on his lower spine while with the other she retrieved the knife from its hiding place on the rack of bottles, pried it open with her teeth, and with one swift underhand motion jammed the blade into his back as far as it would go and dragged it around his right kidney as if she were coring an apple. The sandy man made very little noise dying.
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W hen the body had ceased to shudder, she dressed and left the room. The sound of a heavy piece of furniture scraping across a wooden floor told her that Leon was moving the desk in Mr. Shigeta's office. The way to the front door and out led directly past that room; she did not want to take the chance of running into the black man as he came out. She let herself into the Mystic Arts Bookshop by way of the fire door in the wall that separated the two establishments.
The shop had been closed for hours. She groped her way through darkness to the front door but found that exit barred by a deadbolt lock that required a key. The same was true of the back door. An ornamental grid sealed the windows. For a moment Iiko stood still and waited for her thoughts to settle. It would not be long before Leon discovered the sandy man's body, and then he would find the fire door. The lock was on the massage parlor side.
She switched on a light. Tall racks of musty-smelling books divided the room into narrow aisles. She removed a heavy dictionary from the reference section, carried it to the common wall, and set the book on the floor in front of the steel door. She repeated the procedure with another large book, and then another. At the end of ten minutes she had erected a formidable barrier. Then she sat down to catch her breath and wait.
She did not wait long. She jumped when the thumb latch went down, stood and backed away instinctively when the door moved a fraction of an inch and stopped, impeded by the stacked books. She had already located the telephone on a cluttered counter near the front door of the bookshop; now she lifted the receiver, dialed 911, and, when the operator came on, laid the receiver on its side facing the fire door.
Just then Leon pushed the door hard. Two of the stacks fell, creating an avalanche. Encouraged, the black man gave a lunge. More books tumbled, but now the pile was wedged tightly between the door and the first rack. It would not budge further.
Iiko switched off the light. A bank of deep shadow appeared on the side of the fire door nearest the latch, and she slipped into it noiselessly. The black man had worked up a sweat searching the Mikado for the missing stones. She could smell the clean sharp sting of it where she crouched.
Nothing stirred in the bookshop. She heard the black man's heavy breathing as he paused to gather his strength, heard the buzzing queries of the 911 operator coming through the earpiece of the telephone a dozen steps away.
With an explosive grunt, Leon threw all his weight against the door. The pile of books crumpled against the base of the rack. The rack teetered,
A. C. H. Smith
Lara Feigel
Stella Cameron
Becky Lee Weyrich
T.W. Piperbrook
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Lucienne Diver
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What Dreams May Come (v1.1)
David Liss