Epic Historial Collection

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Authors: Ken Follett
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offered it, for winter was coming. He and his family could have survived a winter without work if they had still had the pig, but without it Tom had to get a job.
    They followed the cart across the close to where the stones were stacked. The oxen gratefully dipped their heads to the water trough. The carter called to a passing mason: “Where’s the master builder?”
    â€œIn the castle,” the mason replied.
    The carter nodded and turned to Tom. “You’ll find him in the bishop’s palace, I expect.”
    â€œThanks.”
    â€œMine to you.”
    Tom left the close with Agnes and the children following. They retraced their steps through the thronged, narrow streets to the front of the castle. Here was another dry moat and a second huge earthen rampart surrounding the central stronghold. They walked across the drawbridge. In a guardhouse to one side of the gateway, a thickset man in a leather tunic sat on a stool, looking out at the rain. He was wearing a sword. Tom addressed him. “Good day. I’m called Tom Builder. I want to see the master builder, John of Shaftesbury.”
    â€œWith the bishop,” the guard said indifferently.
    They went inside. Like most castles, this was a collection of miscellaneous buildings inside a wall of earth. The courtyard was about a hundred yards across. Opposite the gateway, on the far side, was the massive keep, the last stronghold in time of attack, rising high above the ramparts to provide a lookout. On their left was a clutter of low buildings, mostly wooden: a long stable, a kitchen, a bakery and several storehouses. There was a well in the middle. On the right, taking up most of the northern half of the compound, was a large stone house that was obviously the palace. It was built in the same style as the new cathedral, with small roundheaded doorways and windows, and it had two stories. It was new—indeed, masons were still working on one corner of it, apparently building a tower. Despite the rain there were plenty of people in the courtyard, coming in and going out or hurrying through the rain from one building to another: men-at-arms, priests, tradesmen, construction workers and palace servants.
    Tom could see several doorways in the palace, all open despite the rain. He was not quite sure what to do next. If the master builder was with the bishop, perhaps he ought not to interrupt. On the other hand, a bishop was not a king; and Tom was a free man and a mason on legitimate business, not some groveling serf with a complaint. He decided to be bold. Leaving Agnes and Martha, he walked with Alfred across the muddy courtyard to the palace and went through the nearest door.
    They found themselves in a small chapel with a vaulted ceiling and a window in the far end over the altar. Near the doorway a priest sat at a high desk, writing rapidly on vellum. He looked up.
    Tom said briskly: “Where’s Master John?”
    â€œIn the vestry,” said the priest, jerking his head toward a door in the side wall.
    Tom did not ask to see the master. He found that if he acted as if he were expected he was less likely to waste time waiting around. He crossed the little chapel in a couple of strides and entered the vestry.
    It was a small, square chamber lit by many candles. Most of the floor space was taken up by a shallow sandpit. The fine sand had been smoothed perfectly level with a rule. There were two men in the room. Both glanced briefly at Tom, then returned their attention to the sand. The bishop, a wrinkled old man with flashing black eyes, was drawing in the sand with a pointed stick. The master builder, wearing a leather apron, watched him with a patient air and a skeptical expression.
    Tom waited in anxious silence. He must make a good impression: be courteous but not groveling and show his knowledge without being cocky. A master craftsman wanted his subordinates to be obedient as well as skillful, Tom knew from his own experience of

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