Endgame

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Authors: Frank Brady
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a dozen games taking place when they entered. Bobby saw no children.
    Walter Shipman, one of the club’s directors, walked over to the newcomersas they hesitated in the doorway. A twenty-six-year-old novice attorney who later became an international master, he greeted the Brooklyn pair and immediately matched Bobby with a player. Bobby quickly downed his opponent, who called to another player to try his hand with the boy; and he, too, was defeated. Soon, not yet aware that they were in the presence of a prodigy but realizing that Bobby was someone exceptional, the club’s players started gathering around his board and asking him questions. “Where did you learn how to play chess?” “How old are you?” “Where do you live?” “Where’d you learn that opening?”
    Bobby was making his debut among the elite chess fraternity of New York. They observed that unlike most beginning players (although he wasn’t really a beginner; he’d been playing at the Brooklyn Chess Club for four years, since he was eight) Bobby could see the totality of the board. It wasn’t that he made the best choice each and every move, but he was almost never forced into playing or being on the receiving end of a one- or two-move unsound combination: a “cheapo,” the term for a “cheap move.”
    Shipman, who was rated among the top twenty players in the United States, grasped the boy’s potential. Eagerly, he played him a series of blitz games at one second a move, and Bobby won about a third of them. Shipman remembered: “I was so impressed by his play that I introduced the 12-year old to Maurice Kasper, the president of the club and a millionaire garment maker, whose beneficent offer of a free junior membership was immediately accepted by Bobby.” Bobby became the youngest member in the club’s history. Kasper told him that he could come every day if he wished. Bobby beamed. He was like a little kid being set free in a candy store.
    The Manhattan Chess Club was the strongest chess club in the country and the second oldest. It was founded in 1877, three years after the Mechanics’ Institute Chess Club of San Francisco, and for many years it included almost every great player that the United States produced. Chess enthusiasts from out of town and even from other countries, hearing of the club’s almost mythic history, moved to New York just to become members of the Manhattan, to improve their skills and have a chance to play against the greats. Its popularity was analogous to the way artists flocked to Paris in the 1920s to hone their craft under the tutelage of the masters there. The club had been the site of two World Championship matches (Steinitz-Zukertort in 1886and Steinitz-Gunsberg 1890–91) and had hosted the annual United States Championship tournament since the 1930s. A preponderance of the members were Jewish, a group that had pursued the game for centuries and was highly proficient at it. More than one million Jews, most of them immigrants, lived in New York City at that time, and many had brought with them their love for chess. In 1974, Anthony Saidy wrote in
The World of Chess
that “perhaps half of all of the greatest players of the past hundred years have been Jews.” When asked whether he was Jewish, Bobby replied, “Part. My mother is Jewish.”
    On the rare occasions when no worthy opponents were available at the Manhattan during the daytime, Bobby would wander into Central Park and play under the open sky at the stone chess tables near the Wollman skating rink. During one long, exasperating endgame, it began to rain, and neither he nor his opponent would let the storm stay their appointed task of finishing the game. Bobby thought and played, pondered and moved, all the while becoming drenched. When he finally arrived home, his clothes soaked, his sneakers squeaking and swishing water, and his hair looking as if he’d just stepped from a shower, Regina was furious. But her anger never lasted long.
    The Manhattan

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