Emily of New Moon

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Authors: L. M. Montgomery
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fancies about the Wind Woman, and Emily-in-the-glass—all her little cat dialogues—all the things she had said in it last night about the Murrays. She watched the leaves shrivel and shudder, as if they were sentient things, and then turn black. A line of white writing came out vividly on one. “Aunt Elizabeth is very cold and hawty .” What if Aunt Elizabeth had seen that ? What if she were seeing it now! Emily glanced apprehensively over her shoulder. No, Aunt Elizabeth had gone back to the room and shut the door with what, in anybody but a Murray, would have been called a bang. The account book was a little heap of white film on the glowing coals. Emily sat down by the stove and cried. She felt as if she had lost something incalculably precious. It was terrible to think that all those dear things were gone. She could never write them again—not just the same; and if she could she wouldn’t dare—she would never dare to write anything again, if Aunt Elizabeth must see everything. Father never insisted on seeing them. She liked to read them to him —but if she hadn’t wanted to do it he would never have made her. Suddenly Emily, with tears glistening on her cheeks, wrote a line in an imaginary account book.
    â€œAunt Elizabeth is cold and hawty; and she is not fair .”
    Next morning, while Cousin Jimmy was tying the boxes at the back of the double-seated buggy, and Aunt Elizabeth was giving Ellen her final instructions, Emily said good-bye to everything—to the Rooster Pine and Adam-and-Eve—“they’ll miss me so when I’m gone; there won’t be anyone here to love them,” she said wistfully—to the spider crack in the kitchen window—to the old wing-chair—to the bed of striped grass—to the silver birch-ladies. Then she went upstairs to the window of her own old room. That little window had always seemed to Emily to open on a world of wonder. In the burned account book there had been one piece of which she was especially proud. “A deskripshun of the vew from my Window.” She had sat there and dreamed; at night she used to kneel there and say her little prayers. Sometimes the stars shone through it—sometimes the rain beat against it—sometimes the little graybirds and swallows visited it—sometimes airy fragrances floated in from apple and lilac blossom—sometimes the Wind Woman laughed and sighed and sang and whistled round it—Emily had heard her there in the dark nights and in wild, white winter storms. She did not say good-bye to the Wind Woman, for she knew the Wind Woman would be at New Moon, too; but she said good-bye to the little window and the green hill she had loved, and to her fairy-haunted barrens and to little Emily-in-the-glass. There might be another Emily-in-the-glass at New Moon, but she wouldn’t be the same one. And she unpinned from the wall and stowed away in her pocket the picture of the ball dress she had cut from a fashion sheet. It was such a wonderful dress—all white lace and wreaths of rosebuds, with a long, long, train of lace flounces that must reach clear across a room. Emily had pictured herself a thousand times wearing that dress, sweeping, a queen of beauty, across a ballroom floor.
    Downstairs they were waiting for her. Emily said good-bye to Ellen Greene rather indifferently—she had never liked Ellen Greene at any time, and since the night Ellen had told her her father was going to die she had hated and feared her.
    Ellen amazed Emily by bursting into tears and hugging her—begging her not to forget her—asking her to write to her—calling her “my blessed child.”
    â€œI am not your blessed child,” said Emily, “but I will write to you. And will you be very good to Mike?”
    â€œI b’lieve you feel worse over leaving that cat than you do over leaving me,” sniffed Ellen.
    â€œWhy, of course I do,” said Emily,

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