is so dark. Still there is no rain, and he squints at his paper in the dwindling light, trying to read the last sentence that he will read in his life. Then, rain. The young man goes inside, takes off his wet jacket, marvels at how the world ends in rain. He discusses food with the chef, but he is not waiting for the rain to stop because he is not waiting for anything. In a world without future, each moment is the end of the world. After twenty minutes, the storm cloud passes, the rain stops, and the sky brightens. The young man returns to his table, marvels that the world ends in sunlight.
• 15 June 1905
In this world, time is a visible dimension. Just as one may look off in the distance and see houses, trees, mountain peaks that are landmarks in space, so one may look out in another direction and see births, marriages, deaths that are signposts in time, stretching off dimly into the far future. And just as one may choose whether to stay in one place or run to another, so one may choose his motion along the axis of time. Some people fear traveling far from a comfortable moment. They remain close to one temporal location, barely crawling past a familiaroccasion. Others gallop recklessly into the future, without preparation for the rapid sequence of passing events.
At the polytechnic in Zürich, a young man and his mentor sit in a small library, quietly discussing the young man’s doctoral work. It is the month of December, and a fire blazes in the fireplace with the white marble mantel. The young man and his teacher sit in pleasant oak chairs next to a round table, strewn with pages of calculations. The research has been difficult. Each month for the past eighteen months, the young man has met his professor here in this room, asked his professor for guidance and hope, gone away to work for another month, come back with new questions. The professor has always provided answers. Again today, the professor explains. While his teacher is speaking, the young man gazes out the window, studies the way snow clings to the spruce beside the building, wonders how he will manage on his own once he has received his degree. Sitting in his chair, the young man steps hesitantly forward in time, only minutes into the future, shudders at the cold and uncertainty. He pulls back. Much better to stay in this moment, beside the warm fire, beside the warm help of his mentor. Much better to stop movement in time. And so, on this day in the small library, the young man remains. His friendspass by, look in briefly to see him stopped in this moment, continue on to the future at their own paces.
At no. 27 Viktoriastrasse, in Berne, a young woman lies on her bed. The sounds of her parents’ fighting drift up to her room. She covers her ears and stares at a photograph on her table, a photograph of herself as a child, squatting at the beach with her mother and father. Against one wall of her room stands a chestnut bureau. A porcelain wash basin sits on the bureau. The blue paint on the wall is peeling and cracked. At the foot of her bed, a suitcase is open, half-filled with clothes. She stares at the photograph, then out into time. The future is beckoning. She makes up her mind. Without finishing her packing, she rushes out of her house, this point of her life, rushes straight to the future. She rushes past one year ahead, five years, ten years, twenty years, finally puts on the brakes. But she is moving so fast that she cannot slow down until she is fifty years old. Events have raced by her vision and barely been seen. A balding solicitor who got her pregnant and then left. A blur of a year at the university. A small apartment in Lausanne for some period of time. A girlfriend in Fribourg. Scattered visits to her parents gone gray. The hospital room where her mother died. The damp apartment in Zürich, smelling of garlic, where herfather died. A letter from her daughter, living somewhere in England.
The woman catches her breath. She is fifty years
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