Edith Layton

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agreed that he was, then it would be some time before she had to pay her bills. If it was true that creditors gave ladies special favors, then time was on her side, and timing was everything in life. By the time she absolutely had to pay she could be married, or her investments could have made more money. And so far, everyone thought she was a lady. So she had to act like one and run up debts, though it went against the grain.
    She’d taken a hired carriage to the dressmaker’s as soon as Helena said the shops would open. She was delighted to find that, as Helena had also said, no lady would be up at this hour. It was easier to play the lady of leisure when there weren’t any real ones around.
    “Please?” she added, smiling at Madame Bertrand.
    “Let me see,” the dressmaker said. She clapped her hands. “Margot!” she called. “Put on the gold cloth gown and come out here at once, if you please.”
    A few moments later, the same tall, dark-haired model she had seen the day before came gliding out in the daring gold cloth gown. It still looked wondrous to Daisy.
    Madame Bertrand walked around the model, muttering. “A train would add elegance,” she murmured. “ Oui. But it must be rose-colored, a gauzy spray of rose spread out in a train, floating behind the gold, moderating it, like a sunrise seen through clouds. And an underskirt, mais oui. We raise the neckline and add a chemise so the gold cloth doesn’t lie like a second skin. Add long sleeves, puffed at the shoulders… Oui. And rose ribbons; gold is too harsh for you, mademoiselle, the viscount was right. But a touch of rose here, a dash of it there, to tame the gold, and you will glow.
    “Yes,” the dressmaker added. “We can have the gown looking proper enough so that even the Viscount Haye won’t be able to say it is daring, though daring it would still be. But it will not be audacious. It’s beautiful as it is,” she added with regret, “but he’s right. Such gowns are best left to those women who know how to use them, and who can. But yes, mademoiselle, it could be done.”
    “Thank you! Then do it!” Daisy said, then added, “And it is Madam Tanner, madame. I am a widow. I know how to use such gowns, too, you see, but alas, I’m a lady, and so I cannot.” Her grin was nothing like a lady’s.
    This one, the dressmaker thought appreciatively, will go far. “I must find the right gauze, and begin,” she said, and marched back to her workroom. “Margot!” she called over her shoulder, “Please return the gown to me, and put on the blue one. The countess is coming, and we know how she loves blue.”
    Daisy didn’t need the rose gauze in order to glow; she felt triumphant. Whatever surprise Geoff had planned, now she could meet it with equanimity. She had a proper companion and would wear a wonderful gown, and whomever she met from the old days would have to forget the shame and degradation of her marriage and see only the success she’d become.
    She was smiling when the tall model in the gold gown approached her.
    “Congratulations,” the woman said in a cool, low voice. “The gown will look beautiful on you. It is only too bad you can’t wear it as it is. Viscount Haye was much taken with it, you know.”
    “He was?” Daisy asked. She had to look up at the model, and got the feeling that the woman was looking down at her in other ways, too. She was smiling, which somehow made it worse. The woman was slender and long-limbed as aboy, with only her small breasts and a hint of supple hips to show her gender, but she nevertheless exuded female sensuality. Daisy wasn’t surprised. She’d met too many kinds of women in jail to ever make the mistake of comparing the size of a woman’s breasts or hips with the size of her sexual appetites or inclinations.
    She also knew when she was being taunted, and she’d been oppressed long enough to know too well how people who couldn’t speak freely could still voice their opinions clearly.

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