Read Online Earth and Air by Peter Dickinson - Free Book Online Page B
Authors: Peter Dickinson
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the key inside the mine. Or they might be inside now. Someone had been here not long ago. Those mule droppings . . .
And the lock looked fairly new. Nothing like as old as the rails.
It didnât make any difference. He was still going to do what heâd come for. With a thumping heart he eased the door open, first just a crack, and then far enough for him to slip through.
Darkness. Silence, apart from the drumming of his own blood. No. From somewhere ahead the rustle of moving water. He waited, listening, before closing the door and taking his hand torch out of his satchel. Shading the light with his left hand, he switched it on. Cautiously he allowed a crack of light to seep between his fingers.
The rails stretched away into the dimness along a tunnel whose walls were partly natural, partly shaped with tools. Only a few paces along, low in the right-hand wall, he made out what he was looking for, a vertical crack in the rock, as wide as his clenched fist at the bottom and tapering to a point at about knee height. Having checked, and found it was deep enough, he laid the collar and pipes ready, collected some fragments of rock to seal them in with, knelt beside the crack, and picked up the collar, and straightened.
No need to shout. If Ridiki could hear him, it would not be with earthly ears, and suppose whoever had left the door unlocked was somewhere ahead down there, he would be nearer the source of the water-noises, which should be enough to mask a quiet call from the distance.
âGood-bye, Eurydice. Good-bye, Ridiki. Be happy where you are.â
He was answered twice, first by the echo and then, drowning that out, by the bark of a dog, a sharp, triple yelp, a pause, and then the same again. And again. The alert call that every Deniakis dog was trained to give to attract its masterâs attention to something he might need to be aware of. It could have been Ridiki. (No, for course it couldnât. She was dead.) Out on the open hillside he would have known her voice from that of any other dog in Greece, but the echoing distances of the place muffled and changed it.
The call died away into uncertainty, as if the dog wasnât sure it was doing the right thing. Steff found he had sprung to his feet, tense with mixed terror and excitement. The pipes were still on the floor where he had left them. He stuffed the collar in his pocket and picked them up, but continued to stand there, strangely dazed. Whatever the risk, it was impossible to turn away. To do so would haunt him for the rest of his days. He had to be sure. Shielding the torch so that it lit only the patch of floor immediately in front of his feet, he stole on. The daze continued. He felt as if he carried some kind of shadow of himself inside himself, its hand inside the hands that held the pipes and torch, its heart beating to the beat of his heart, its feet walking with shadow feet inside his feet of flesh and bone but making a separate soft footfall.
And everything around him shared the same doubleness. In the world of flesh and bone this was simply an empty, worked-out silver mine that before that had been a deep cave. But, mine or cave, in the shadow world it was and always had been an entrance to the underworld. Along it, and all around him, invisible, imperceptible, flooded the souls of the freshly dead. And ahead of him there was a dog of flesh and bone who was also, somehow, the dog Cerberus, the dreadful three-headed guardian of that realm. And a nameless stream the shadow of whose waters was the River Styx. And, waiting for him on its further shore, Eurydice. Ridiki.
The daze faded abruptly. He was aware of some other change, but couldnât locate it. He stopped and stood listening. No, not a sound, a light, a faint orange glow from around a so-far unperceived bend in the tunnel. He moved on, step by cautious step. Even more slowly he edged round the bend. The water sounds became noticeably louder, telling him that they were made
And the lock looked fairly new. Nothing like as old as the rails.
It didnât make any difference. He was still going to do what heâd come for. With a thumping heart he eased the door open, first just a crack, and then far enough for him to slip through.
Darkness. Silence, apart from the drumming of his own blood. No. From somewhere ahead the rustle of moving water. He waited, listening, before closing the door and taking his hand torch out of his satchel. Shading the light with his left hand, he switched it on. Cautiously he allowed a crack of light to seep between his fingers.
The rails stretched away into the dimness along a tunnel whose walls were partly natural, partly shaped with tools. Only a few paces along, low in the right-hand wall, he made out what he was looking for, a vertical crack in the rock, as wide as his clenched fist at the bottom and tapering to a point at about knee height. Having checked, and found it was deep enough, he laid the collar and pipes ready, collected some fragments of rock to seal them in with, knelt beside the crack, and picked up the collar, and straightened.
No need to shout. If Ridiki could hear him, it would not be with earthly ears, and suppose whoever had left the door unlocked was somewhere ahead down there, he would be nearer the source of the water-noises, which should be enough to mask a quiet call from the distance.
âGood-bye, Eurydice. Good-bye, Ridiki. Be happy where you are.â
He was answered twice, first by the echo and then, drowning that out, by the bark of a dog, a sharp, triple yelp, a pause, and then the same again. And again. The alert call that every Deniakis dog was trained to give to attract its masterâs attention to something he might need to be aware of. It could have been Ridiki. (No, for course it couldnât. She was dead.) Out on the open hillside he would have known her voice from that of any other dog in Greece, but the echoing distances of the place muffled and changed it.
The call died away into uncertainty, as if the dog wasnât sure it was doing the right thing. Steff found he had sprung to his feet, tense with mixed terror and excitement. The pipes were still on the floor where he had left them. He stuffed the collar in his pocket and picked them up, but continued to stand there, strangely dazed. Whatever the risk, it was impossible to turn away. To do so would haunt him for the rest of his days. He had to be sure. Shielding the torch so that it lit only the patch of floor immediately in front of his feet, he stole on. The daze continued. He felt as if he carried some kind of shadow of himself inside himself, its hand inside the hands that held the pipes and torch, its heart beating to the beat of his heart, its feet walking with shadow feet inside his feet of flesh and bone but making a separate soft footfall.
And everything around him shared the same doubleness. In the world of flesh and bone this was simply an empty, worked-out silver mine that before that had been a deep cave. But, mine or cave, in the shadow world it was and always had been an entrance to the underworld. Along it, and all around him, invisible, imperceptible, flooded the souls of the freshly dead. And ahead of him there was a dog of flesh and bone who was also, somehow, the dog Cerberus, the dreadful three-headed guardian of that realm. And a nameless stream the shadow of whose waters was the River Styx. And, waiting for him on its further shore, Eurydice. Ridiki.
The daze faded abruptly. He was aware of some other change, but couldnât locate it. He stopped and stood listening. No, not a sound, a light, a faint orange glow from around a so-far unperceived bend in the tunnel. He moved on, step by cautious step. Even more slowly he edged round the bend. The water sounds became noticeably louder, telling him that they were made
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