Read Online DR13 - Last Car to Elysian Fields by James Lee Burke - Free Book Online Page A
Authors: James Lee Burke
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tablecloths or had been spilled by the guests on their clothes.
In my absence Father Jimmie had cornered both Castille Lejeune and Merchie Flannigan and was talking heatedly with them, his coat separating on his chest when he raised his arms to make a point, one foot at a slight angle behind the other, in the classic position of a martial artist.
"Let me finish if you would," he said when Merchie Flannigan tried to speak. "You say you're cleaning up the Crudups' property? The place is floating in sludge."
"I'm sure Merchie is doing his best. Why don't you help yourself to the food, Father?" Castille Lejeune said.
He was a trim, nice-looking man, with a lean face and steel gray hair that he combed straight back. He wore a white sports coat and dark blue shirt and a gold and onyx Mason's ring on his marriage finger.
"No, thanks," Father Jimmie said, wagging two fingers as though brushing Castille Lejeune's words from the air. "So let me see if I understand correctly. In 1951 you took a friend to Angola Prison to record Junior Crudup, but you have no idea what happened to Junior later?"
"I was doing a favor for my wife. She was fond of folk music. That was a long time ago," Lejeune answered, his eyes crinkling at the corners, his gaze wandering among his guests.
"But a retired guard, a man named Strunk, says you got Junior pulled off the levee gang."
"I don't remember that. I wouldn't have had that kind of influence," Lejeune said.
"Really? " Father Jimmie said. "You wouldn't throw a fellow a slider, would you?"
The insult to a man of his age and position seemed not to register in Lejeune's face. Instead, his eyes crinkled again. "Have a good time," he said. He placed his hand warmly on Father Jimmie's arm and walked away.
"Let me get you a beer, Father," Merchie Flannigan said.
"Shame on you for what you're doing to those black people in St. James Parish," Father Jimmie said.
Father Jimmie's heart might have been in the right place, but it was embarrassing to listen to him berate Merchie Flannigan in front of others and I didn't wait to hear Merchie's reply. I walked out of the backyard and into the oak trees, then witnessed one of those moments when you realize that each human being's story is much more complex than you could have ever guessed.
Between the horse stables and the bayou was a white-railed, sloping green pasture containing a fish pond and a small dock. A gas lamp mounted on a brass pole burned above the dock, and I could see moths flying into the flame, then dropping like pieces of ash into the water. As I stood among the trees I saw Theodosha watching the same scene, one hand on the fence railing. The electric lights were on in the stables and I could see her face clearly in the illumination, her brow knitted, the muscles in her throat taut, her hand gripped tightly on the rail.
I walked toward her but her attention had been distracted by the strange red reflection of the sun's afterglow on the bayou. A little boy and girl, not older than four or five, climbed through the fence on the opposite side of the fish pond and ran giggling toward the dock. I had no way of knowing the depth of the pond, but a spring board was attached to the end of the dock, which meant the depth was certainly over a child's head.
Theo looked back from the sunset at the pond and saw the children almost the same time as I. She bit her lip and raised her hand as though to warn them off, but she remained outside the fence, frozen, as though an invisible shield prevented her from entering the pasture. The children thumped onto the dock and danced up and down, then bent over the edge of the dock and peered at the fish feeding on the moths dropping from the flame in the gas lamp.
Theodosha heard me walk up behind her. She turned abruptly, startled, her expression one of both fear and shame.
"That water is fairly deep, isn't it?" I said.
"Yes," she said, turning back toward the pond. "Yes, those children shouldn't be out there.
In my absence Father Jimmie had cornered both Castille Lejeune and Merchie Flannigan and was talking heatedly with them, his coat separating on his chest when he raised his arms to make a point, one foot at a slight angle behind the other, in the classic position of a martial artist.
"Let me finish if you would," he said when Merchie Flannigan tried to speak. "You say you're cleaning up the Crudups' property? The place is floating in sludge."
"I'm sure Merchie is doing his best. Why don't you help yourself to the food, Father?" Castille Lejeune said.
He was a trim, nice-looking man, with a lean face and steel gray hair that he combed straight back. He wore a white sports coat and dark blue shirt and a gold and onyx Mason's ring on his marriage finger.
"No, thanks," Father Jimmie said, wagging two fingers as though brushing Castille Lejeune's words from the air. "So let me see if I understand correctly. In 1951 you took a friend to Angola Prison to record Junior Crudup, but you have no idea what happened to Junior later?"
"I was doing a favor for my wife. She was fond of folk music. That was a long time ago," Lejeune answered, his eyes crinkling at the corners, his gaze wandering among his guests.
"But a retired guard, a man named Strunk, says you got Junior pulled off the levee gang."
"I don't remember that. I wouldn't have had that kind of influence," Lejeune said.
"Really? " Father Jimmie said. "You wouldn't throw a fellow a slider, would you?"
The insult to a man of his age and position seemed not to register in Lejeune's face. Instead, his eyes crinkled again. "Have a good time," he said. He placed his hand warmly on Father Jimmie's arm and walked away.
"Let me get you a beer, Father," Merchie Flannigan said.
"Shame on you for what you're doing to those black people in St. James Parish," Father Jimmie said.
Father Jimmie's heart might have been in the right place, but it was embarrassing to listen to him berate Merchie Flannigan in front of others and I didn't wait to hear Merchie's reply. I walked out of the backyard and into the oak trees, then witnessed one of those moments when you realize that each human being's story is much more complex than you could have ever guessed.
Between the horse stables and the bayou was a white-railed, sloping green pasture containing a fish pond and a small dock. A gas lamp mounted on a brass pole burned above the dock, and I could see moths flying into the flame, then dropping like pieces of ash into the water. As I stood among the trees I saw Theodosha watching the same scene, one hand on the fence railing. The electric lights were on in the stables and I could see her face clearly in the illumination, her brow knitted, the muscles in her throat taut, her hand gripped tightly on the rail.
I walked toward her but her attention had been distracted by the strange red reflection of the sun's afterglow on the bayou. A little boy and girl, not older than four or five, climbed through the fence on the opposite side of the fish pond and ran giggling toward the dock. I had no way of knowing the depth of the pond, but a spring board was attached to the end of the dock, which meant the depth was certainly over a child's head.
Theo looked back from the sunset at the pond and saw the children almost the same time as I. She bit her lip and raised her hand as though to warn them off, but she remained outside the fence, frozen, as though an invisible shield prevented her from entering the pasture. The children thumped onto the dock and danced up and down, then bent over the edge of the dock and peered at the fish feeding on the moths dropping from the flame in the gas lamp.
Theodosha heard me walk up behind her. She turned abruptly, startled, her expression one of both fear and shame.
"That water is fairly deep, isn't it?" I said.
"Yes," she said, turning back toward the pond. "Yes, those children shouldn't be out there.
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