history. Three days on the sand, down there, wandering through the fog, and then . . .â
Brummigen looked toward the ocean. âAt first we thought heâd simply immolated himself somehow. Occasionally someone will abandon their old body, and . . . well, it doesnât leave a residue like this. It seemed strange. The soul was not there. It had already escapedâÂor been released by someone. Doyle suspected foul play. I thought it was just another freakish mystery of the Before.â
âAnd now, Major?â Doyle asked.
Brummigen looked at the wire-Âformed remains. âI think it was murder.â He turned to Diogenes. âThoughts, Lamplighter?â
Diogenes took a long ten seconds before responding. âThey are both unnatural renderings of the soul. They are predation. Apart from that, shadow lies across it. I cannot see more; nor could I say more if I could see more.â
Iâve learned you canât make Diogenes explain, when he is not inclined to. Somehow, I donât know how, Diogenes is doing the right thing by keeping quiet.
âCome on, then, Fogg,â said Doyle. âWeâll have a cup of tea, and you will rest. Tomorrow morning youâll see what formulation is. Much will be revealed . . .â
We started back down the hillside, the Lamplighter leading the way, Brummigen beside me, Doyle following, looking at the trail curiously as he wentâÂperhaps, like Holmes, alert for more clues. âMajor, who is it whoâs gone missing, lately?â
âMost recentlyâÂMorgan Harris. And to me, those remains resemble him, in a general way. Hard to tell, of course, for sure. Not much there. But Iâd guess it was Morgan. He was a botanist wandering the swamps, the forests, trying to understand the plant life . . . or plant afterlife. Could be he wandered too close to something.â
âLike what?â
He shook his head. âI donât know. He did make a few cryptic remarks at the bar. Something about âthe wrong seeds are sometimes sown.â Said it twice, staring in the mirror behind the bar. Funny duck, that guy, anyway. I feel like . . . that was probably what was left of him, back there . . .â
Morgan Harris . First thing you learn in Homicide Investigation 101: The identity of the murder victim is a good place to start . . .
âWhere can I find out about this Harris?â I asked.
Doyle paused, glancing back at me. âYouâre quite the . . . whatâs the American term? Quite the go-Âgetter. Well, then. Go see the mayor tomorrow, if youâre so inclined. Iâm already fairly aware of Morgan Harris. Youâd best get up to speed. I shall need you to provide a more quotidian perspective, ha ha . . .â
I blinked. Quotidian?
Doyle turned away, whistling tunelessly to himself, and continued down the hill. After a moment I followed, underneath the Great Darkness, but hurrying toward the contemplative lights of Garden Rest.
Â
FOURTH
T he old wooden door of the two-Âstory brick building was studded with rusty bolts and the ivory door handle was worn with use. On the door a small brass plaque read
H IS H O NOR, W INN C HAUNCEY
M AYOR OF G ARDEN R EST
The mayor himself, wearing an old-Âfashioned mayorâs sash over a blazer, answered my knock, looking hazily surprised but not unfriendly.
Chauncey was a tall, gaunt man with lined red cheeks, and a long neck displaying a prominent Adamâs apple. He seemed to have settled on his mid-Âforties for his afterlife appearance, perhaps for the avuncular gravitas of it. He had a shock of white-Âstreaked black hair, for the late 1930s, a yellow ascot, and shiny black shoes.
The mayor looked me over, thick gray-Âblack eyebrows bobbing. âAh, one of the new chaps!â His accent suggested southern England.
âMorning,â I said. âAre you Mayor
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