opponent.â
Mom rolled her eyes good-naturedly, but when she cupped my chin, her grip was bone-achingly tight. â Be nice ,â she said again, âor I might just have to ground you.â
I jerked away from her. I hated it when she cupped my chin; it made me feel like a three-year-old.
âAnd stop acting like a three-year-old,â Mom called over her shoulder as she disappeared into the kitchen, âor I might start treating you like one!â
I felt my cheeks get hot, but Veronica didnât seem to notice (or if she did, she didnât mention it).
âYour mom seems nice,â she said.
âSheâs a mom,â I said, scowling. âDonât they kind of have to be?â
Instead of answering, Veronica spread out her music and sat down at the piano. I perched on a nearby chair and freed my trumpet from its case. While I warmed up my mouthpiece, she traced the letters that spelled STEINWAY, then trailed her hands along the keys. The way she touched the keys made me think that they were sacred (or at least that she thought they were). The air suddenly felt charged, but whether with dread or anticipation, I honestly couldnât have said.
As the charge built up inside me, I knew I had to let it out or risk spontaneously combusting, so of course, I said the first thing that popped into my head: âThatâs a nice banner youâve got.â
She glared at me across the Steinway. âIt didnât cost more than fifty bucks, if thatâs what youâre trying to say.â
I held up my hands. âI was only making conversation.â
That wasnât strictly true, of course, but if Iâd come right out and said, No, what Iâm trying to say is that your campaign is gonna murder mine, she probably wouldnât have believed me.
Veronicaâs shoulders slumped. âMom thought I should get the big oneâmake a statement, you know? And she knew the guy at the print shopâ¦â
Instead of finishing that thought, Veronica glanced down at her lap. I could have sworn her cheeks reddened, but I only caught a glimpse of them before her hair fell across her face.
âThey went out for a while,â she explained, âso he said he owed my mom a favor. He only charged us forty-five. I can show you the receipt.â
I shook my head. âNo, I trust you.â That wasnât strictly true, either, but I would have said anythingâand I mean, anything âto keep from hearing more about her mom and Print Shop Guy.
She straightened her music (though it hadnât needed to be straightened). âWell, what about your signs?â
âWhat about them?â I asked, stalling.
âWhereâd you put them?â she replied.
I scratched the back of my head. I probably could have lied, but the truth was even better. âI didnât, actually. Theyâre at the bottom of the trash can in the middle of the commons.â
She half chuckled, half choked. âIs that supposed to be a joke?â
Instead of answering, I shrugged. It was a shrug Iâd learned from Nathan, whoâd once worked on a sidewalk-chalked landscape on the back patio for months. Donât bother me with silly questions, my shoulders seemed to say. Havenât you ever heard of a work-in-progress?
But she didnât take the hint. âWhere are they really?â she replied.
âI donât know,â I admitted. âTheyâre kind of Estherâs responsibility.â
Or at least I hoped they were. For a second, maybe less, I considered the horrifying possibility that Esther had taken our money and run, then pushed that thought out of my head. We hadnât given Esther any cash, and even if we had, where was she going to run? She wouldnât make it very far on the old bike she rode to school.
Veronica nodded knowingly. âWell, that sounds promising,â she said (which was probably a lie, but she said it so convincingly
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