Displaced Persons

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Authors: Ghita Schwarz
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she should stay with her father. Just for now. I’m not feeling so well. Then she repeated it in Yiddish.
    The soldier did not understand. He gave a gentle push to Sima’sshoulders, trying to move her toward her mother. But Sima stood still, made herself heavy, kept her hand in the fast grip of her father.
    The soldier threw up his arms. “Henrietta!” he called. But no one came.
    He began talking in long streams, his voice strained and insistent, a false calm. He was working hard to be kind, Sima could see that. Her parents could see that too, she observed, both nodding with nervous smiles. Again the soldier made a movement, gesturing with a smile that she move away from her father. But Sima did not move. She was not to breathe her mother’s air. She was to be healthy and strong, at least enough to enroll in the camp school as soon as all this with the medical exams and the food coupons was sorted out, the school which Sima’s mother had heard was led by Jewish teachers and Hebrew tutors. Sima was almost seven; she had to be strong.
    “Jesus,” the soldier said. A familiar word! It made Sima want to laugh in recognition, but she stopped herself. The soldier tapped his knuckles to his temples and his face turned a bit pink. She would be quiet.
    Finally he seemed to give up. A second soldier, who had been glancing over at them as they stood still, refusing to separate, rolled his eyes at his companion. He said something low, and the first one chuckled, shaking his head. Sima’s mother threw her father a wink: they had triumphed. All together, a threesome, they shuffled to a corner of the room, behind a gray curtain that hung from hooks in the ceiling. A short redheaded woman stood by a table behind the curtain, writing something in a notebook. She raised her eyebrows at the soldier as he brought the three of them in, then sighed.
    Sima’s mother sat down on the cot without waiting to be asked. The nurse approached Sima’s face, peering into her eyes and mouth with a tiny light, unbuttoning the top three buttons of her blouse, pressing on her chest with a metal instrument that hung round her neck and felt cold to the skin. Then a thin glass tube, painted withtiny numbers, to place under her tongue. Sima looked at her father. Perhaps she looked like him, a cigarette sticking out of his mouth, warding off hunger.
    The nurse slid instruments in and out of a metal case, talking, motioning. It seemed she was explaining: Sima had met the requirements, and her father too. Sima’s mother, resting on the cot, had been left for last, almost invisible as the nurse spoke in her incomprehensible patter.
    Finally the nurse pulled the metal necklace onto her ears again, placed one shining end on Sima’s mother’s pale, blue-veined chest.
    The nurse frowned. She took out the glass tube and pushed it between Sima’s mother’s lips, waited, then shook it out. She motioned for Sima and her father to wait outside the curtained area: this time they stepped out without protest. She called out something in English—a name, it seemed, for a man with his own metal necklace appeared, and together they began to speak in a low murmur behind the curtain while Sima and her father waited outside. Sima touched her hand to her chest. Her skin still felt cool from the touch of the metal.
    At last they poked their heads out. Then they stepped out fully and drew the curtain behind them, Sima’s mother still inside.
    “Quarantine,” said the man.
    “Quarantine,” agreed the nurse. Sima’s father looked at them, puzzled, shaking his head gently. They repeated it again and again, motioning with their hands, other words blurring into the main one until it became a singsong. “Quarantine, quarantine.”
    The man jerked open the curtain. Sima’s mother was lying down, her face smooth and glistening. The man stomped over to the wooden table where he had the glass tube. He pointed at a number on the tube to Sima’s father. He made harsh,

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