agape.
âOh,â says Karma, and puts the lid back on quickly. âDead animals.â
âFor dinner,â says Flinch. Feeling as if heâs confessing. They stand on the footpath. A shy sun slips behind a cloud.
Karma sniffs and looks into the distance. âI donât eat meat.â
âIâm sorry,â Flinch says. âI didnât know.â
She sighs and shrugs her shoulders. âItâs alright. I donât but some of the others do. They wonât go to waste.â She opens the lid of the esky again. âThank you for giving your lives, little fish. Your deaths will provide us with nutrients and will not be in vain.â
Flinch covers a smile with his hand. He decides not to tell her that they didnât exactly swim up to the shore and throw themselves on the beach at his feet.
âRight then,â he says.
Karma lives in an orange tepee.
âItâs the colour of energy, a celebration of all things living,â she says. âBuddhist monks wear this colour, you know.â
Flinch doesnât know but nods. They sit down on some brightly coloured cushions on the floor. Karma lights a little gas cylinder and boils some tea, and hands Flinch a cup that is really an old jam jar with a tea towel around it. Itâs unlike any tea that Flinch has ever tasted. A little like apple. A lot more like cut lawn. No milk or sugar either. Theyâve emptied the esky of fish into a metallic icebox in a hay-bale house that is otherwise stacked with hessian bags marked Rice , Pasta , Barley . A crate full of apples. Some sort of communal food stash.
âThere, now youâve contributed to the good of the community,â Karma had said. âA gift of sustenance from an anonymous good-doer.â
Flinch had kept an eye on the magpies that were perched in the trees above, knew theyâd probably steal whatever they could manage as soon as there was nobody around.
He leans back on the pillows. A woven rug covers the ground. Bull ants have made a nest in one corner, under the rugâs tassels.
âAnts,â says Flinch, pointing at the nest. âNasty ones.â
âOh, yeah, I know. But you know, they were here first. Iâm intruding on their home really.â
âDonât you get bitten?â
âYeah, quite often. But what can you do? They deserve a place here as much as I do.â
Flinch makes a mental note to buy some ant-rid powder next time heâs in town.
âYou know, itâs good for healing, too,â Karma says, leaning towards him. âOrange. And I sense you need healing, Flinch. Thatâs why I hoped you would come back.â
Flinch takes a large gulp of his tea.
Karma waits, looking at him, silent.
âThereâs nothing that can be done,â Flinch says finally. âWhen I was young I wore a shoe that was built up so that I walked evenly. Big braces up to my knee. Leather straps and everything. Looked a bit like a monster, I think.â
He smiles to demonstrate to her that he is unconcerned and she smiles back.
âBut I couldnât wear that on the boats. So I just got used to it. I can get around. Itâs not really a big problem.â
âI didnât mean your leg,â she says.
âBut thereâs nothing else,â he replies. He hopes she hears the finality in his tone.
SIX
âItâs like a village,âKarma is telling him. Theyâre walking on a path that weaves through the commune, past soggy gardens sprouting stunted green lettuce leaves, picketed with empty stakes, everything planted struggling except a rampant cherry tomato vine. They pass a cluster of tents set up like small domes. To Flinch, they look like the alien pods from his childhood comic books. It is that hazy gloaming period, a mauve twilight that makes the fields and surrounding hills seem mystical, a landscape out of the pages of a childrenâs fairytale book. Flinch is surprised he
James M. Cain
Jane Gardam
Lora Roberts
Colleen Clay
James Lee Burke
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Bill Pronzini
Robert E. Howard
MC Beaton