waving at us from the front window. By the time we did, sheâd moved away from the window and opened the front door.
âYou want a closer look?â she asked. She was tiny, with black hair and blue eyes, and appeared to be about Mommaâs age.
Uncle Jolly didnât answer her. He seemed too busy taking in her beauty. I glanced at the ladyâs wedding band on her left hand. Sure enough, someone else had noticed her beauty before Uncle Jolly. He was always sizing up the wrong woman.
I nudged him in the side with my elbow.
Uncle Jolly blinked, but his mouth still hung open. I was afraid heâd start drooling.
âUncle Jolly, the lady asked if we want to go inside.â
He stammered. âUh, uh, uh, no ⦠thatâs okay, maâam. Youâre closing and all.â
I was glad Uncle Jolly didnât say yes. Frog could wake up and think weâd abandoned him.
The saleslady came outside and joined us in front of the window. âIt comes in mahogany or walnut. Which would you like?â
âMa-ma-ma-hog-gany,â Uncle Jolly said.
I had to step in before he bought a Victrola he couldnât afford. âHow much does that Victrola cost?â
The lady pointed to the sign at the foot of the Victrola that somehow weâd missed. Now I could see it as clear as dayâ$209.50!
Uncle Jolly snapped out of his trance.
âThat includes fifty phonographs,â the saleslady said.
Mr. Williams, youâll be happy to know what my next question was. I asked, âAre any of them by Hank Williams?â
âI donât believe we have any of those yet.â
âThen we wouldnât be interested, would we, Uncle Jolly?â
âWell, nowâ¦â
The lady laughed. âI never lost a sale over Hank Williams before. I guess we better look into getting some of his phonographs. Which song do you like best?â
ââMove It On Over,â but Uncle Jolly likes âLovesick Blues.ââ
âThatâs my favorite too,â she said, smiling at Uncle Jolly.
âThat a fact?â Uncle Jolly leaned against the wall and tipped his hat. That lady knew how to sell a Victrola to Uncle Jolly. He was settling in. I had to think quick.
âUncle Jolly, we better go. Frog will be waking up and wonder where weâre at.â
Uncle Jolly turned toward me like Iâd snapped him with a rubber band. For a few seconds, he didnât say anything, just stood staring at me. Then he looked to the lady and said, âIâll come back when it isnât closing time.â
âIf you do, I wish youâd ask for me. My name is Garnett.â
âGarnett,â Uncle Jolly said, âlike the jewel. My name is James Poche.â
Iâd never heard Uncle Jolly introduce himself with his real name.
Garnett held out her hand. âNice to meet you, James.â
Uncle Jolly went to reach for Garnettâs hand, but I grabbed his sleeve and tugged.
âCome on, Uncle Jolly. Remember Frog?â
Uncle Jolly glared at me but pulled the keys out of his pocket. He smiled at Garnett, tipping his hat. âThank you, maâam. Iâll check back soon.â
âAnd whatâs your name, young lady?â she asked.
âTate,â I said, walking away fast. âMaybe weâll be back when you get those Hank Williams phonographs.â See, Mr. Williams? Iâm doing what I can to shoot your fame all the way to the moon.
Back in the car, Uncle Jolly started the engine and asked, âTate, whyâd you tell her Frog was asleep?â
âI didnât. I said he might wake up.â I glanced back at Frog stretched out on the back seat. Big Peteâs boots had slipped off his feet and I could see his toe sticking out of a hole in his sock.
Uncle Jollyâs eyes grew soft. Then he shook his head and looked straight ahead at the road. He didnât talk to me the entire drive back. His mind seemed
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