Dead Water

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Authors: Ngaio Marsh
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will not be closed to the public. Quite on the contrary.’
    ‘They will ruin it! The vandalism! The outrages! Even now with every precaution. The desecration!’
    ‘That can be attended to.’
    ‘Fairy ground,’ Miss Cost suddenly announced, ‘is holy ground.’
    ‘I am unable to determine whether you adopt a pagan or a Christian attitude,’ said Miss Emily. She indicated a rhyme-sheet which was clothes-pegged to a line above the counter.
Ye olde wayes, it read, were wise old wayes
    (Iron and water, earthe and stone)
    Ye Hidden Folke of antient dayes
    Ye Greene Companions’ Runic Layes
    Wrought Magick with a Bone.
    Ye plashing Falles ther Secrette holde.
    (Iron and water, earthe and stone)
    On us as on those menne of olde
    Their mighte of healing is Bestowed
    And wonders still are showne.
    O, thruste your handes beneath the rille
    (Iron and water, earthe and stone)
    And itte will washe awaye your ille
    With neweborn cheere your bodie fille
    That antient Truth bee knowne.
    ‘Who,’ asked Miss Emily, fixing her gaze upon Miss Cost, ‘is the author of this doggerel?’
    ‘It is unsigned,’ she said loudly. ‘These old rhymes –’
    ‘The spelling is spurious and the paper contemporary. Does it express your own views, Miss Cost?’
    ‘Yes,’ said Miss Cost, shutting her eyes. ‘It does. A thousand times, yes.’
    ‘So I imagined. Well, now,’ Miss Emily briskly continued, ‘you know mine. Take time to consider. There is one other matter.’
    Her black kid forefinger indicated a leaflet advertising the Festival. ‘This,’ she said.
    A spate of passionate defiance broke from Miss Cost. Her voice was pitched high and she stared at some object beyond Miss Emily’s left shoulder. ‘You can’t stop us!’ she cried. ‘You can’t! You can’t prevent people walking up a hill. You can’t prevent them singing. I’ve made inquiries. We’re not causing a disturbance and it’s all authorized by the Mayor. He’s part of it. Ask him! Ask the Mayor’! Ask the Mayor. We’ve got hundreds and hundreds of people coming and you can’t stop them. You can’t. You can’t!’
    Her voice cracked and she drew breath. Her hands moved to her chest.
    Into the silence that followed there crept a very small and eerie sound: a faint, rhythmic squeak. It came from Miss Cost.
    Miss Emily heard it. After a moment she said, with compassion: ‘I am sorry. I shall leave you. I shall not attempt to prevent your Festival. It must be the last but I shall not prevent it.’
    As she prepared to leave, Miss Cost, now struggling for breath, gasped after her.
    ‘You wicked woman! This is your doing.’ She beat her chest. ‘You’ll suffer for it. More than I do. Mark my words! You’ll suffer.’
    Miss Emily turned to look at her. She sat on a stool behind the counter. Her head nodded backwards and forwards with her laboured breathing.
    ‘Is there anything I can do?’ Miss Emily asked. ‘You have an attack –’
    ‘I haven’t! I haven’t! Go away. Wicked woman! Go away.’
    Miss Emily, greatly perturbed, left the shop. As she turned up from the jetty, a boy shambled out of the shadows, stared at her for a moment, gave a whooping cry and ran up the steps. It was Wally Trehern.
    The encounter with Miss Cost had tired her. She was upset. It had, of course, been a long day and there were still those steps to be climbed. There was a bench half-way up and she decided to rest there for a few minutes before making the final ascent. Perhaps she would ask for an early dinner in her room and go to bed afterwards. It would never do to let herself get overdone. She took the steps slowly, using her umbrella as a staff and was rather glad when she reached the bench. It was a relief to sit there and observe the foreshore, the causeway and the village.
    Down below, at the end of the jetty, a group of fishermen stood talking. The police-sergeant, she noticed, had joined them. They seemed to be looking up at her. ‘I daresay it’s got

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