get him.â And what do I tell them if they do?
âYeah. This is one fucked-up crime scene. He could be the guy, though.â
The cop is young and Italian, with a five-oâclock shadow that looks more like midnight. âWhat do you mean?â
âThey just found a guy in a car across the street. Dead as a hammer.â
âWhat?â I whirl and try to see, but the crowd obscures my view. âHow did he die?â
âSomebody cut his throat. You believe that? Wearing a suit and tie. Looks like he hasnât been dead an hour. Something strange going on here.â
âWho was he?â
âNo wallet. Like a slaughterhouse in that car.â
The fire captain is already pushing back toward us, the cop in tow.
âSee anything?â the Italian cop calls to them.
The other cop shakes his head. âCrowdâs too big. Guy could be two feet away, we wouldnât know except by the smell.â
âIâll make a pass,â says the Italian, tipping his cap to me as he walks toward the tape.
The guy could be two feet away. And there isnât any gasoline smell. He could kill me before I know heâs there. Itâs time to go. But how? My cab is long gone, and walking isnât an option. Neither is the subway.
As I ponder my options, a yellow taxi pulls to the end of the block and disgorges a kid with two cameras hanging from his neck. The official press. Knowing heâll ask for a receipt, I start running, and Iâm at full sprint before he has it in his hand.
âTaxi!â I yell. âDonât let him go!â
For some reasonâmaybe because heâs seen my cameraâthe photographer holds the cab.
âThanks!â I tell him, jumping into the backseat.
âHey, are you with a paper?â
âNo.â I thump the plastic partition. âJFK! Move it!â
âWait. Donât I know you?â
âGo!â I shout at the back of the cabbieâs head.
âHey, arenât youââ
With a screech of rubber, the cab is rolling toward the Queens-Midtown Tunnel.
Â
MY FLIGHT LANDS at Reagan National at 10:15 P.M., and when I deplane, thereâs a man in a suit waiting for me at the gate. Heâs holding a white cardboard sign that says J. GLASS, but he doesnât look like a limo driver. He looks like a buffed-up accountant.
âIâm Jordan Glass.â
âSpecial Agent Sims,â he says with a frown. âYouâre late. Follow me,â
He sets off down the concourse at a rapid clip and walks right past the down escalator marked âBaggage and Ground Transportation.â
âI have some bags down there,â I call after him. âMy cameras. They were on the earlier flight, so theyâre probably in storage.â
âWe have your camera cases, Ms. Glass. The airline lost your suitcase.â
Great. Agent Sims leads me through a door marked âAirport Personnel Only,â and a blast of cold air hits my face. Itâs fall in Washington too, but unlike New York, the humidity here adds a taste of home to the air. Home as in Mississippi. My present residence is in San Francisco, but no place Iâve ever lived has replaced the fecund, subtropical garden of creeks, cotton fields, oak, and pine forests where I grew up.
The concrete is slick with rain, reflecting the bright lights of the terminal and the dimmer blue ones of the runway. Sims helps me onto a baggage truck and signals its jumpsuited driver, who takes off across the airfield. My aluminum camera cases are stacked in luggage well behind us.
âI thought we were going into the city,â I shout over the engine noise. âTo the Hoover Building.â
âThe chief had to get back to Quantico,â Sims yells back. âThatâs where the meeting is now.â
âHow are we getting there?â
âOn that.â
As he points into the darkness, I see the sleek lines of a Bell 260 helicopter
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