gas lanterns cast fluttering light. Moving shadows cloaked most of the space. Large beams supported the canvas roof. Rare sawdust covered the floor. With wood so scarce, this extravagance might as well be silk.
Along the edges of the tent, the twins had sectioned off areas with canvas, like stable stalls. The first stall contained a cage of snarling Bagmen.
Unclothed Bagmen? All of their oozing skin was bare. Iâd never encountered one completely naked.
Though the creatures looked well-fedâwere those blood troughs in the cage?âthey were as hostile as ever. Like post-apocalyptic guard dogs. In a frenzy, they stretched their slimy arms past the bars enclosing them.
Each of those mindless beings had a brand on its chest, some kind of symbol, but I couldnât make it out under all the pus and slime.
Behind that cage stood another just like it. Inside, four young guys curled naked on the floor, bodies covered with bites. They gasped through blistered lips, as if dying of thirst.
Dawning realization. The twins were making Bagmen. Those four were in transformationâand they knew it. One wept over a trough of blood.
Selena remained grade-A stoic. âKeep going. Eight minutes.â
The next stall housed a piece of equipment that looked like a giant juicer. Gore coated it.
Past another partition was something that resembled a sawhorse with a length of sharpened metal atop it. More blood and gore.
The next stall . . . a stand with bats, canes, whips, and pincers. Other things I couldnât place.
Had these very instruments been used on Clotile?
On Jack?
The Hierophant had slaughtered people for food, and the Alchemist had murdered for his sick pursuit of knowledge. I couldnât comprehend why the Lovers tortured. âWhere the hell is Jack?â
âWeâll find him.â
Faced with more and more blood-curdling contraptions, I felt as disconnected as Iâd ever been. A few Halloweens back, Iâd gone to a haunted house filled with gruesome displaysâfor fun . None of the ghastly things had been real.
This was happening . Right? Even as it felt like Iâd stepped into one of Matthewâs visions.
What was real? Un real?
We came upon another victim, a man kneeling with his wrists bound together, tied above his head to a roof support. He was shirtless, his body gaunt, his shoulders bulging at weird angles. Dislocated?
I thought he was balling his hands into fists, then realized his fingers had been cut off.
Stoic Selena actually gave a shudder. That would be her worst fear, wouldnât it? Never to draw another arrow.
His mouth was open. No teeth. A gash had been carved into his stomach. He had one of those brands below his collarbone, but his was older. The raised scar was about the size of a bookmark and depictedan odd symbol: a pair of overlapping triangles, bisected by two arrows, one pointing up, one down.
In front of him was another contraption that looked like a crank over an old-timey wishing well. A slimy rope of some kind had been wound around the crank.
âTheyâre pulling it out,â Selena murmured.
Pulling what out? She could see so much better than I could! Yet some part of me must have understood because nausea churned.
They remove things, discard them, transform people.
The man turned his head toward us. His eyes were solid black. No, not eyes. Sockets. The twins planned to do that to Jack.
âSix minutes, Evie. Weâll come back for that guy.â When we neared the far end of the tent, she whispered, âBehind the partition in the back. Listen.â
Moans? Of pain? Selena readied her pistol. I bared my claws. We sidled closer.
Closer. Past the partition, we sawâ
The twins.
I dry heaved. They were . . . kissing. Twincest.
When the pair started groping, Selena bit out, âJesus. Get a womb, freaks.â
Vincent and Violet took their time breaking apart, their gazes locked. Their pale blue
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