Dead Beat
thinning hair, and pale, loose skin with a lot of liver spots. He moved stiffly, like someone with arthritis, but he hauled a long shotgun out of the car with him and raised it to his shoulder with careful deliberation.
    I juked to one side so that I was directly between the driver and Butters, twisted at the hips, extended my arm behind me, and raised my shield. It flickered to life in a ghostly half dome just a second before one barrel of the shotgun bloomed with light and thunder. The shield flashed and sent off a cloud of sparks the size of a small house. I felt it falter through the damaged bracelet on my wrist, but it solidified again in time to catch the second blast from the gun's other barrel. The old man with the shotgun howled in wordless outrage, broke the barrel, and started loading in fresh shells.
    Butters was screaming, and I was yelling right along with him. We got to the Beetle and piled in. I stomped the engine to life, and the Beetle sputtered once and then gamely took off at its best clip. I screeched out of the parking lot and onto the road, started to skid, turned into it, fishtailed once, and then shot off down the street.
    "Look out!" Butters screamed, pointing.
    I snapped a glance over my shoulder and saw Phil and the other three dead men from the examination room sprinting across the grounds at us. I don't mean they were running. It was a full-out sprint, faster than Phil could have done even in the prime of his life. I stomped on the gas and kept my eyes on the road.
    The Beetle lurched, and Butters cried out, "Holy crap!"
    I looked back again and saw Dead Phil clinging to the back of the car. He had to have been standing on the rear bumper. The other three dead men weren't far behind him, keeping up with the car. Dead Phil drove his hand down at the back of the Beetle, and there was a wrenching sound of impact, then a series of snaps and squeals as he tore the back cover from the car, exposing the engine.
    "Take the wheel!" I shouted to Butters. He reached over and seized the steering wheel. I twisted and thrust my right hand at Dead Phil. I focused my attention on the plain silver ring on my middle finger. It was another focus, like the shield bracelet, one designed to store back a little kinetic energy every time I moved my arm. I focused on the ring, clenched my hand into a fist, and shoved it directly at Dead Phil, releasing the energy within.
    Dead Phil had raised his arm again, this time to tear apart the Beetle's engine, but I beat him to the punch. The unseen force unleashed from the ring hit him at the top of his thighs, kicking his whole lower body out straight. The force tore his grip loose from the car, and he tumbled away, hitting the street with heavy, crunching sounds of impact, arms and legs splayed. The other dead men ran past him, one leaping clear over, and Dead Phil lay twitching on the ground like a broken toy.
    I got back to the wheel and shifted the car into the next gear. In my rearview mirror I saw the leading dead man spring at us again, but he missed the car by a couple of feet, and I left the rest of them behind in the darkness, scooting out of the industrial park and onto public streets.
    I drove for a while, taking a lot of unnecessary turns. I didn't think anyone was pursuing us, but I didn't want to take the chance that the old man might have gotten back into his Caddy and onto our tails. Maybe ten minutes went by before I started breathing easier, and I finally felt safe enough to pull over into a well-lit convenience-store parking lot.
    I started shaking as soon as I set the parking brake. Adrenaline does that to me. I usually get along just fine when the actual crisis is in progress, but after it's over, my body makes up for the lost terror. I closed my eyes and tried to keep my breathing slow and calm, but it was a fight to do it. There wasn't anything I could do about the trembling.
    It had been getting harder and harder to maintain my composure ever since the

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