sight.
Aragona asked Ottavia to run the footage back and freeze on the frame in which the two of them were closest to the security camera.
âCan you zoom in on the boyâs hand?â
Ottavia made a face: âSure, but the picture is already very low-resolution. You wonât see a thing, just a series of black and white dots.â
She tried anyway. Dodo had something in his hand.
âWhat is that?â asked Aragona.
No one said a word. At last, Alex murmured: âAn action figure. Itâs a plastic action figure.â
XII
N
ighttime. Now itâs nighttime.
Dodo can tell from the chink in the wall.
One of the walls in the place where theyâve locked him up is made of sheet metal, that wall he knocked his fist against; the noise scares him, so he stays away. But thereâs a gap, and a little light ought to filter in through it. But thereâs no light now. So itâs nighttime.
Dodo doesnât really understand whatâs happening to him. He knows that someone took him, and he knows that heâd better keep quiet and not try to run away or call for help, because that man is horrible and enormous, with that big mustache and long hair.
Dodo remembers a movie he used to watch when he was little, a version of
Pinocchio
in which Stromboli was played by an actor who looked exactly like the man. Dodo was both afraid of and at the same time fascinated by him: Heâd play the DVD over and over so he could see him defeated again and again. This time, who knew how it would end.
Lena had come to get him. Dodo loved Lena, heâd been sorry not to see her anymore. When heâd recognized her, waving to him from far away, heâd gone over: What else should he have done? She was smiling at him, she was so nice. Then theyâd left the museum grounds and when they got to the car, Stromboli was there. Lena had signaled to Dodo with her eyes, as if to say: Be careful, letâs not make him angry. And he spoke that strange language, in a deep, harsh voice.
The two of them had gotten into the car and sat in the back, side by side, him and Lena. Who could say, maybe Stromboli had taken Lena too. And if Lenaâs afraid, big and strong as she is, then it really would be best to be good, extra special good.
Heâd brought him something to eat.
Hot pockets. But cold.
Dodo likes hot pockets; but he doesnât like them cold. He ate one and a half. Now his stomach hurts, he doesnât much feel like eating anymore. Plus now itâs nighttime. Too bad, too, because with the passing hours his eyes had grown accustomed, and it hadnât seemed quite so dark.
The sheet metal wall scares him, but the wall that scares him most is the one with the door that Stromboli came through when he brought the water and the cold hot pockets. God, how big he is. He practically didnât fit through the door. He narrowed his eyes in the darkness, he looked around. He shouted: You where?
Dodo, curled up in the far corner, said: Here.
Then Stromboli laid the plate and the water bottle down on the ground and locked the door back up behind him.
Batman, Dodo murmured to the action figure. Batman, donât be afraid. Itâs just a matter of time. And after all, if he wanted to hurt us, the last thing heâd do is feed us, right? We just need to wait here, be calm and stay quiet.
Letâs make believe that itâs dark because weâre in the Batcave. Letâs make believe that weâre the masters of the night, that darkness is our home and weâre not afraid. Letâs make believe that weâre close, tight together, and that weâre waiting for day to dawn.
Letâs make believe that with our brain waves we can send a signal to my papà and that heâll come right away to get us, and heâll defeat Stromboli in a terrible battle, bare-handed. Or, even better, that Papà shows up with policemen who have guns, because Stromboli is strong, so