Daggers and Men's Smiles

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Authors: Jill Downie
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manor house.
    But Sydney Tremaine wasn’t there.

"Not one of them, Guv, can think of any reason why anyone would want to kill the marchesa’s son-in-law.”
    Moretti and Liz Falla were exchanging information as they made their way across the park and up the flight of stone steps to the upper floor of the lodge where the first attack with a dagger had taken place. Liz Falla had acquired a complete list of everyone employed on Rastrellamento from the associate producer, Piero Bonini, and was compiling a record of who lived where. Not just eagle-eyed , thought Moretti, but organized . It wasn’t her fault Hanley had said “eagle-eyed” until everyone was fed up to the back teeth with hearing it.
    Most of the cast and crew lived in hotels and guest houses in St. Martin’s and St. Peter Port, with the level of luxury matching their level of importance. There were a few exceptions. All the Vannonis and Toni Albarosa were at the manor, and three of the cast were staying there also. These were the two female leads: newcomer Vittoria Salviati, who played the young love interest, Maddelena, and an established star, Adriana Ferrini, whose role as the Contessa Alessandra di Cavalli was creating the latest problems on the movie. One of the leading men, Clifford Wesley, an up-and-coming British actor, recruited from the classical stage, who was starring as the escaped British prisoner, Tom Byers, was also at the manor. The internationally known German film actor, Gunter Sachs, who was playing the commandant of the prison camp in the imaginary Tuscan village of Santa Marina, had stayed briefly, but had now transferred to the Héritage Hotel, where Betty Chesler and Eddie Christie were also billeted.
    â€œDid Piero Bonini have any interesting comments to make about his cast?”
    â€œMostly he went on about Gilbert Ensor, who seems to be at the top of everyone’s hit list. Hit-and-miss list, I suppose I should say. Do you think someone thought Toni Albarosa was Ensor in the dark?”
    â€œCould be, but unlikely. What would Gilbert Ensor be doing skulking about outside the manor in the small hours?”
    â€œWell, that was one of the things Bonini went on about — about Ensor, I mean. Seems there’d been a spot of bother in Italy somewhere. He wouldn’t go any further, but he did say Ensor was lucky his wife was the forgiving kind, and if he’d heard that Ensor was the one with a dagger in the chest he wouldn’t have been surprised.”
    â€œInteresting. So what was Toni Albarosa doing in the wee small hours? Did Bonini shed any light on that?”
    â€œI was just coming to that. When I was leaving his office — he’s got a trailer on the far side of the manor, quite close to the bunker — I could hear him through the open window. He was shouting at the interpreter they’ve got here — it must have been her, because she was the only other person there — and it was all in Italian, but I can understand quite a bit now, of course, and what I managed to pick up was her name, Bella, and then another two names — Vittoria, and Toni.”
    â€œAh,” said Moretti.
    â€œThat’s what I thought, Guv.” DC Falla turned and grinned at Moretti.
    Betty Chesler was waiting for them at the top of the steps, only too eager to speak her mind.
    â€œI see you’ve brought your superior officer with you this time,” she said to the young policewoman. She turned and glared at Moretti. “I’m so glad someone is now taking this seriously, and what a wicked shame it took poor Toni’s death to do it! I can’t tell you how upset I was with the cavalier attitude of just about everyone about the damage — mark my words, I said to Piero, this is like an omen . It’s a warning, and there’s more to come. But until Gilbert Ensor’s wife said about the attack on her husband, no one cared a tinker’s cuss about my

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