Cutler 02 - Secrets of the Morning

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last hope.
    This grandchild has been a terrible problem for us all. My daughter-in-law is absolutely beside herself and has nearly had a number of serious nervous breakdowns as a consequence. I can't tell you how much my son Randolph has aged because of this . . . this . . . I'm afraid I have to say it . . . bad seed in our family.
    The irony is she has musical talent. Since she has done nothing but gotten into trouble in one public school after another because of her juvenile delinquency, which includes sexual promiscuity, I thought sending her to the school of performing arts might help. Perhaps if she is made to concentrate on her talents, she will be less of a delinquent.
    The fault lies with all of us. We have spoiled her. Randolph has rained gifts upon her ever since she was an infant. She's never done a true day's work at the hotel. No matter what we ask her to do, she always complains.
    Furthermore, I'm afraid she has become a rather sneaky person, not above lying right to your face. She even went so far as to steal from one of my elderly guests.
    Even though I have warned her against it, she might stay in contact with some public school friends who have been bad influences on her. Watch out for that and please be sure she lives up to your rules and does whatever she is supposed to do. I will, of course, be speaking to you shortly in more detail about all this.
    You don't know how much I and my family appreciate your willingness to take on what I would have to honestly admit is a major problem child.
    At this point we are afraid of the bad influence she will have on Philip and Clara, who are both doing so well.
    Rest assured, I will not forget you.
    Sincerely yours,
    Lillian Cutler
     
    Trisha looked up at me and then put her arm around my shoulder.
    "The entire letter is one big lie," I said. "One big, horrible, cruel lie. A bad seed, sexually promiscuous, spoiled, a liar and a thief! And she hates my mother, hates her," I said through my tears. "I can't believe she wrote that I would be a bad influence on Clara. You know some of the things she did to me and to Jimmy."
    "You expected something like this," Trisha said softly, her hand on my shoulder.
    "I know, but to actually see it all in writing. She's the most atrocious, loathsome woman I have ever met. I wish there was some way I could get back at her," I said, clenching my teeth.
    "Just be a success," Trisha said calmly. "Be everything she says you're not."
    I nodded. "You're right. I will try harder and harder and every time I get an A or receive a compliment, I'll think of how she has to accept it."
    "We better put this back," Trisha said, returning the dreadful letter of lies to its envelope. She shoved it between the mattress and the box springs again and then we slipped out of Agnes's bedroom and quietly made our way out of the corridor, but when we turned toward the stairway, I paused and looked back. I just had the feeling there were eyes on us in the darkness. A shadow moved.
    Trisha didn't know I had stopped. She kept moving up the stairway, but I took a step back and saw Arthur Garwood, his back pressed against the wall. Because he was so thin and he was wearing his usual black shirt and black slacks, it was nearly impossible to see him. Although he must have known I had spotted him, he didn't step forward. Instead, he continued to press himself to the wall and cling to the darkness. I started to call out to Trisha, but didn't. Instead, I just turned back and followed her up the stairway to our room. As soon as I closed the door behind me, I told her.
    "He just kept standing there in the dark?" she asked.
    I nodded and embraced myself because the incident had left me cold.
    "He doesn't want us to know he was spying on us. Don't worry, he won't say anything to Agnes," she assured me.
    "How did he know we were going to sneak into her room?" I wondered.
    "He might have just been following us or . . ." Her eyes went to the door. "Maybe he's been listening in

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