Crossing Over

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Authors: Anna Kendall
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yard. Kit and I walked to the other side of the yard, the crunch of our boots on stone the only sound, and through a second, less fortified gate.
    Another courtyard, planted with bushes and boxed in by stone walls with many wooden doors, all painted green. Servants went in and out of the doors. I said timidly, “I have a letter of introduction to one Emma Cartwright, a serving woman to—”
    “You go nowhere until you’ve bathed,” Kit said with disgust. “You are a savage, aren’t you? There, to the left—that’s the laborers’ baths. I’ll be here when you’re done.” He strode through doors on the right. Almost I ran after him—what would I do if I were left alone in this strange place? But I did as I was told and went through one of the doors on the left.
    More strangeness! The room—perhaps more than one room—had been built out over the river, and the floor removed except for a wide ledge around all four walls. A new floor, wooden on stone pilings, had been built two feet under the water, so that the Thymar flowed right through the room. A few men bathed, naked, in the clean water. I remembered that we had passed a section of the Thymar downriver where it had abruptly turned reeking and foul; the city’s sewage must be sent there. Here, upriver, the water was clean for bathing, and perhaps farther upriver, cleaner yet for drinking. It was an ingenious system.
    I removed my clothing and piled it on a shelf against the wall. Other shelves held bars of strong soap. I scrubbed myself clean, pulled back on the tunic Kit had given me, and cleaned my boots in the water. Since I couldn’t bear to put on my smelly small clothes, I wadded them up and left them in a corner, going without underclothes. There was also nothing I could do about my filthy trousers, but the tunic hung to my hips, hiding the worst. Having no comb, I ran my fingers over and again through my wet hair until it held no tangles.
    Kit waited in the courtyard, wearing fresh clothes. No riding clothes, these, but a tunic of green velvet, white silk hose, and green shoes. His dark hair gleamed and he had a silver earring in his left ear. I saw that despite his slight stature, he was handsome: a manly little man.
    He looked me over and sighed. “I suppose you’ll have to do. Come.”
    More courtyards, and my astonishment grew until I thought my eyes, my brain, could take in no more.
    Each courtyard was more sumptuous than the last. Wide, quiet, bright with trees and late summer flowers, ringed with buildings of painted gray stone. Then buildings faced with smooth white marble. Finally buildings faced with mosaics of pearl and quartz, all in subtle shades of ivory and cream, all in subtle patterns that changed as the light moved over them. Small fountains appeared, falling in graceful, tinkling arcs. All was subdued, quiet, with a balanced and graceful beauty I had not known existed in the whole wide world. Even the people we passed, dressed in fine green clothing, moved with quiet grace. A few nodded to Kit.
    Kit said, “Close your mouth, Roger.” He seemed to grow more and more tense the closer we got to . . . wherever we were going.
    Almost I wished I were back with Hartah, with Aunt Jo, jostling along in our wagon. This was too strange, too different. I could never belong here.
    Kit said, “Here I leave you. The quarters for Queen Caroline’s ladies are over there, through that gate. Present your letter of introduction to the guard. I must report the wreck of the Frances Ormund to the Office of Maritime Records and give the news of the hanging of the one surviving wrecker. May all their souls burn forever.”
    I could have told him they were not. I could have told him that the wreckers, along with their victims, sat on the beach and the rocks, contemplating the quiet sea. I could have told him his educated belief, that souls burn or else go to paradise, was much farther from the mark than was the countryside belief that they endure in

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