Creeping Siamese and Other Stories

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Authors: Dashiell Hammett
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hallway, where a dim light burning upstairs outlined a flight of steps. I climbed them and turned toward the front of the house. The scream had come from the front—either this floor or the third. There was a fair likelihood of the skull-cracker having left the room-door unlocked, just as he had not paused to close the street-door.
    I had no luck on the second floor, but the third knob I cautiously tried on the third floor turned in my hand and let its door edge back from the frame. In front of this crack I waited a moment, listening to nothing but a throbbing snore somewhere far down the hallway. I put a palm against the door and eased it open another foot. No sound. The room was black as an honest politician’s prospects. I slid my hand across the frame, across a few inches of wallpaper, found a light button, pressed it. Two globes in the center of the room threw their weak yellow light on the shabby room and on the young Armenian who lay dead across the bed.
    I went into the room, closed the door and stepped over to the bed. The boy’s eyes were wide and bulging. One of his temples was bruised. His throat gaped with a red slit that ran actually from ear to ear. Around the slit, in the few spots not washed red, his thin neck showed dark bruises. The skull-cracker had dropped the boy with a poke in the temple and had choked him until he thought him dead. But the kid had revived enough to scream—not enough to keep from screaming. The skull-cracker had returned to finish the job with a knife. Three streaks on the bed-clothes showed where the knife had been cleaned.
    The lining of the boy’s pockets stuck out. The skull-cracker had turned them out. I went through his clothes, but with no better luck than I expected—the killer had taken everything. The room gave me nothing—a few clothes, but not a thing out of which information could be squeezed.
    My prying done, I stood in the center of the floor scratching my chin and considering. In the hall a floor-board creaked. Three backward steps on my rubber heels put me in the musty closet, dragging the door all but half an inch shut behind me.
    Knuckles rattled on the room door as I slid my gun off my hip. The knuckles rattled again and a feminine voice said, “Kid, oh, Kid!” Neither knuckles nor voice was loud. The lock clicked as the knob was turned. The door opened and framed the shifty-eyed girl who had been called Sylvia Yount by Angel Grace.
    Her eyes lost their shiftiness for surprise when they settled on the boy.
    â€œHoly hell!” she gasped, and was gone.
    I was half out of the closet when I heard her tip-toeing back. In my hole again, I waited, my eye to the crack. She came in swiftly, closed the door silently, and went to lean over the dead boy. Her hands moved over him, exploring the pockets whose linings I had put back in place.
    â€œDamn such luck!” she said aloud when the unprofitable frisking was over, and went out of the house.
    I gave her time to reach the sidewalk. She was headed toward Kearny Street when I left the house. I shadowed her down Kearny to Broadway, up Broadway to Larrouy’s. Larrouy’s was busy, especially near the door, with customers going and coming. I was within five feet of the girl when she stopped a waiter and asked, in a whisper that was excited enough to carry, “Is Red here?”
    The waiter shook his head.
    â€œAin’t been in tonight.”
    The girl went out of the dive, hurrying along on clicking heels to a hotel in Stockton Street.
    While I looked through the glass front, she went to the desk and spoke to the clerk. He shook his head. She spoke again and he gave her paper and envelope, on which she scribbled with the pen beside the register. Before I had to leave for a safer position from which to cover her exit, I saw which pigeon-hole the note went into.
    From the hotel the girl went by street-car to Market and Powell Streets, and then walked up Powell to

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