Colorless Tsukuru Tazaki and his Years of Pilgrimage

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Authors: Haruki Murakami
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night, at which point Haida would make up the fold-out sofa in the living room and go to sleep. In the morning he would make coffee and cook them omelets. Haida was veryparticular about coffee, always using special aromatic beans, which he ground with a small electric mill that he brought along. His devotion to coffee beans was the one luxury in his otherwise poor, meager lifestyle.
    To this new friend and confidant, Tsukuru opened up about all sorts of personal things. Still, he carefully avoided ever mentioning his four friends in Nagoya.
    It wasn’t something he could easily talk about. The wounds were still too fresh, too deep.
    Yet when he was with this younger friend he could, by and large, forget those four people. No,
forget
wasn’t the right word. The pain of having been so openly rejected was always with him. But now, like the tide, it ebbed and flowed. At times it flowed up to his feet, at other times it withdrew far away, so far away he could barely detect it. Tsukuru could feel, little by little, that he was setting down roots in the new soil of Tokyo, building a new life there, albeit one that was small and lonely.
    His days in Nagoya felt more like something in the past, almost foreign. This was, unmistakably, a step forward that Haida, his new friend, had brought to his life.
    Haida had an opinion on everything, and was always able to logically argue his perspective. The more time Tsukuru spent with this younger friend, the deeper his respect grew. Yet Tsukuru couldn’t understand why Haida was drawn to him, or was even interested in him.But they enjoyed each other’s company so much that time spent bantering just flew by.
    When he was alone, though, sometimes Tsukuru longed for a girlfriend. He wanted to hold a woman close, caress her body, inhale the scent of her skin. It was an entirely natural desire for a healthy young man. But when he tried to conjure up the image of a woman, and when he thought about embracing one, for some reason what automatically came to mind was an image of Shiro and Kuro. They always appeared, in this imaginary world, as an inseparable pair. And that always gave Tsukuru an inexplicably gloomy feeling. Why,
even now
, does it always have to be these two? he thought. They flatly rejected me. Said they never wanted to see me anymore, or talk to me ever again. Why can’t they just make a quiet exit and leave me alone? Tsukuru Tazaki was twenty years old at this point, but had never held a woman in his arms. Or kissed a woman, or held someone’s hand, or even gone on a date.
    Something must be fundamentally wrong with me, Tsukuru often thought. Something must be blocking the normal flow of emotions, warping my personality. But Tsukuru couldn’t tell whether this blockage came about when he was rejected by his four friends, or whether it was something innate, a structural issue unrelated to the trauma he’d gone through.
    • • •
    One Saturday night, he and Haida were up talking late as usual when they turned to the subject of death. They talked about the significance of dying, about having to live with the knowledge that you were going to die. They discussed it mainly in theoretical terms. Tsukuru wanted to explain how close to death he had been very recently, and the profound changes that experience had brought about, both physically and mentally. He wanted to tell Haida about the strange things he’d seen. But he knew that if he mentioned it, he’d have to explain the whole sequence of events, from start to finish. So as always, Haida did most of the talking, while Tsukuru sat back and listened.
    A little past 11 p.m. their conversation petered out and silence descended on the room. At this point they would normally have called it a night and gotten ready for bed. Both of them tended to wake up early. But Haida remained seated, cross-legged, on the sofa, deep in thought. Then, in a hesitant tone, something unusual for him, he spoke up.
    “I have a kind of weird story

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