the fall?
Who has not, in the oil and heat of youth,
Thought of the flourishing of the almond tree,
The grasshopper, and the failing of desire,
And thought his tongue might pierce the secrecy
Of the six-pointed starlight, and might choir
A secret-voweled, unutterable truth?
The heart is ramified with an old force
(Outlingering the blood, out of the sway
Of its own fleshy trap) that finds its source
Deep in the phosphorous waters of the bay,
Or in the wind, or pointing cedar tree,
Or its own ramified complexity.
CHRISTMAS IS COMING
Darkness is for the poor, and thorough cold,
As they go wandering the hills at night,
Gunning for enemies. Winter locks the lake;
The rocks are harder for it. What was grass
Is fossilized and brittle; it can hurt,
Being a torture to the kneeling knee,
And in the general pain of cold, it sticks
Particular pain where crawling is required.
Christmas is coming. The goose is getting fat.
Please put a penny in the Old Man’s hat
.
Where is the warmth of blood? The enemy
Has ears that can hear clearly in the cold,
Can hear the shattering of fossil grass,
Can hear the stiff cloth rub against itself,
Making a sound. Where is the blood? It lies
Locked in the limbs of some poor animal
In a diaspora of crimson ice.
The skin freezes to metal. One must crawl
Quietly in the dark. Where is the warmth?
The lamb has yielded up its fleece and warmth
And woolly life, but who shall taste of it?
Here on the ground one cannot see the stars.
The lamb is killed.
The goose is getting fat
.
A wind blows steadily against the trees,
And somewhere in the blackness they are black.
Yet crawling one encounters bits of string,
Pieces of foil left by the enemy.
(A rifle takes its temper from the cold.)
Where is the pain? The sense has frozen up,
And fingers cannot recognize the grass,
Cannot distinguish their own character,
Being blind with cold, being stiffened by the cold;
Must find out thistles to remember pain.
Keep to the frozen ground or else be killed.
Yet crawling one encounters in the dark
The frosty carcasses of birds, their feet
And wings all glazed. And still we crawl to learn
Where pain was lost, how to recover pain.
Reach for the brambles, crawl to them and reach,
Clutching for thorns, search carefully to feel
The point of thorns, life’s crown,
the Old Man’s hat
.
Yet quietly. Do not disturb the brambles.
Winter has taught the air to clarify
All noises, and the enemy can hear
Perfectly in the cold. Nothing but sound
Is known. Where is the warmth and pain?
Christmas is coming
. Darkness is for the poor.
If you haven’t got a penny, a ha’penny will do
,
If you haven’t got a ha’penny, God bless you.
IMITATION
Let men take note of her, touching her shyness,
How grace informs and presses the brocade
Wherein her benefits are whitely stayed,
And think all glittering enterprise, and highness
Of blood or deed were yet in something minus
Lacking the wide approval of her mouth,
And to betoken every man his drouth,
Drink, in her name, all tankards to their dryness.
Wanting her clear perfection, how may tongues
Manifest what no language understands?
Yet as her beauty evermore commands
Even the tanager with tiny lungs
To flush all silence, may she by these songs
Know it was love I looked for at her hands.
THE GARDENS OF THE VILLA D’ESTE
This is Italian. Here
Is cause for the undiminished bounce
Of sex, cause for the lark, the animal spirit
To rise, aerated, but not beyond our reach, to spread
Friction upon the air, cause to sing loud for the bed
Of jonquils, the linen bed, and established merit
Of love, and grandly to pronounce
Pleasure without peer.
Goddess, be with me now;
Commend my
Midnight Blue
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