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one, but thought she had enough problems. A rag-and-bone cart clattered out of the mist and its toothless driver spoke companionably to me, but I could only reply, “Excusez-moi, je ne parle pas flamand,” which made him laugh like the Goblin King. Gave him a pastry. His filthy hand was a scabby claw. In a poor quarter (alleys stank of effluent), children helped their mothers at the pumps, filling broken jugs with brown water. Finally, the excitement all caught up with me, sat on the steps of a dying windmill for a breather, wrapped myself against the damp, fell asleep.
    Next thing, a witch was poking me awake with her broomstick, screeching something like “Zie gie doad misschien?” but don’t quote me. Blue sky, warm sun, not a wisp of fog to be seen. Resurrected and blinking, I offered her a pastry. She accepted with distrust, put it in her apron for later, and got back to her sweeping, growling an ancient ditty. Lucky I wasn’t robbed, I suppose. Shared another pastry with five thousand pigeons, to the envy of a beggar, so I had to give him one too. Walked back the way I might have come. In an odd pentagonal window a creamy maiden was arranging Saintpaulia in a cut-glass bowl. Girls fascinate in different ways. Try ’em one day. Tapped on the pane, and asked in French if she’d save my life by falling in love with me. Shook her head but got an amused smile. Asked where I could find a police station. She pointed over a crossroads. One can spot a fellow musician in any context, even amongst policemen. The craziest-eyed, unruliest-haired one, either hungry-skinny or jovial-portly. This French-speaking, cor anglais–playing, local operatic society–belonging inspector had heard of Vyvyan Ayrs and kindly drew me a map to Neerbeke. Paid him two pastries for this intelligence. He asked if I had shipped over my British car—his son was mad keen about Austins. Said I had no car. This worried him. How would I get to Neerbeke? No bus, no trainline, and twenty-five miles was the devil of a walk. Asked if I could borrow a policeman’s bicycle for an indefinite period. Told me that was most irregular. Assured him I was most irregular, and outlined the nature of my mission to Ayrs, Belgium’s most famous adopted son (must be so few that might even be true), in the service of European music. Repeated my request. Implausible truth can serve one better than plausible fiction, and now was such a time. The honest sergeant took me to a compound where lost items await rightful owners for a few months (before finding their way to the black market)—but first, he wanted my opinion on his baritone. He gave me a burst of “Recitar! … Vesti la giubba!” from I Pagliacci . (Pleasant enough voice in lower registers, but his breathing needed work and his vibrato quivered like a backstage thunder board.) Gave a few musical pointers; received the loan of a Victorian Enfield plus cord to secure valise and folder to the saddle and rear mudguard. He wished me bon voyage and fair weather.
    Adrian would never have marched along the road I bicycled out of Bruges (too deep in Hun territory) but nonetheless felt an affinity with my brother by virtue of breathing the same air of the same land. The Plain is flat as the Fens but in a bad shape. Along the way I fueled myself with the last pastries and stopped at impoverished cottages for cups of water. Nobody said much, but nobody said no. Thanks to a headwind and a chain that kept slipping off, the afternoon was growing old before I finally reached Ayrs’s home village of Neerbeke. A silent blacksmith showed me how to get to Château Zedelghem by elaborating my map with a pencil stub. A lane with harebells and toadflax growing in the middle led me past a deserted lodge house to a once stately avenue of mature Italian poplars. Zedelghem is grander than our rectory, some crumbly turrets adorn its west wing, but it couldn’t hold a candle to Audley End or Capon-Tench’s country seat. Spied a