a painting of what was trying hard to be an ocean sunset.
The woman threw her head back and laughed, coral lipstick, dark makeup, long, tapered nails to match the shade. Wearing one of those sarong-type evening dresses sold through the Montgomery Ward catalog to housewives who would never go near the South Seas and looked nothing like Dorothy Lamour, but who craved glamour and hoped their husbands would do more than roll over and grunt on a Saturday night.
Pretty in a cheap way. Sheâd be out of a job in a year or two, once the tits started to sag and the thighs got a little thicker. Desperation oozed around the orchid-colored sarong like Hawaiian dew, and she laughed again, manicured hand draped on the broad shoulder of a younger man.
He was tall, very well built underneath a too-loose and too-cheap suit, loud tie with yellow stripes, blue shirt stained with ketchup. About twenty-three, twenty-four. Nice-looking kid, red face crumpled, eyes sad. Cheeks a little hollow.
Miranda pushed her way past two sailors, brushing off the incidental hand on her ass with a jab of the toothpick. Shoved the dwindling Life Savers in the side of her mouth with her tongue.
âYouâre Lucinda? From Artists and Models?â
The dark-eyed woman quit trying to smolder the kid with how languid she was and breathed out a Kool, smoke slightly mentholated. Poured on a Romance of Helen Trent voice.
âAnd who is asking?â
Miranda grabbed an empty chair from a table hidden behind a potted palm frond, sitting down before the kid could figure out he was supposed to stand up.
âMiranda Corbie. Iâm a private investigator.â
The womanâs high penciled eyebrows rose. She flicked some ash in the small glass tray. The young man leaned forward, eager.
âYou say youâre a private detective?â
âYeah. I used to work security for Sally Rand.â
The brunette pointed her cigarette at Miranda. âYouâre the one who got canned.â
âYesterday. After Pandora was killed. The brass wants everything kept quiet.â
The young man opened his mouth to say something and the older woman held up a warning hand, looked at Miranda warily. âSo why are you here?â
Miranda opened her purse and took out two more Life Savers. She sucked on them for a few seconds, trying to keep her hands still. Looked up, met the eyes of the kid.
âI want to find the sonofabitch that killed her.â
The young manâs voice rushed out. âThey targeted her. Because she was my girlfriend. I was just trying to tell Lucindaââ
Lucinda grabbed his arm and said it through her teeth. âShut up, Ozzie. We donât know who this broad is yet.â Eyes like flint. âYou got a license? You got ID?â
Miranda pulled out her wallet. Showed them both the license. Fought the urge to take out a stick, felt the sweat beading up on her forehead.
Lucinda stubbed out the Kool. The filter, stained with coral, still burned in the ashtray.
âSo why do you care? Itâs not your job. Never was. You didnât know her.â
âI donât like murder. I donât like what was done to her body. I donât like Nazis. If those reasons arenât good enough for you, Iâve also worked here since â39. Call it professional interest.â
Lucinda tapped the nails of her right hand on the table. âOK. So youâre Miranda Corbie, a broad and a P.I., and you slum down on the Gayway for two years, and you wanna solve a nudie modelâs murder. Whatâs that got to do with me?â
Miranda looked from one to the other, the young man lowering his eyes to the table when Lucinda squeezed his arm.
âMaybe nothing. But I was told you were Pandoraâs best friend. Maybe only friend. Not a lot of people knew her.â
Lucinda glanced at Ozzie. âGo away, lady. I already talked to the johns. You can read the police report.â
The noise and the heat
Nora Roberts
Liz Lipperman
Erin Knightley
Richard M. Ketchum
A. L. Jackson
James L. Cambias
Helen Dickson
Cynthia Sax
Marion Lennox
Ronald H. Balson