[name]?â
âSure.â
âHave you chosen a university yet?â
âNo.â
âDonât.â
âWhat?â
âDonât. Particularly not this one.â
âWhat?â
âDo you know anything about HVAC repair or installation?â
âWhat is that?â
âWhat about locksmithing?â
âLike, picking locks?â
âBoth of these professions earn more money than I do. Enjoy greater job security. Do you have a new car, [name]?â
âNo.â
âDo you want one? Nice clothes? An apartment with granite counter-tops?â
âSure, I guess.â
âDo you know what an aircraft marshaller is, [name]? Itâs the person who use neon wands to wave planes in and out of terminal gates.â
âOk.â
âTheyâre very important, [name]. An essential service, like plumbing. Itâs a good trade, but I can teach you the secrets of consciousness, being, and the existential nature of language, here at Central University. Would you like me to teach you these things, [name]?â
âI guess so.â
âFuck you, [name]. Have a nice day.â
I follow Zoe out of the park. A few students stop me, here and there, on the stairs. Shaking hands, saying thanks. Can I make up the first assignment?
Up top, at street-level, I follow Zoe. Itâs awkward: my artificial student-essays and notes clutched against my chest, walking single-fileâat least David took the newsprint and promised to bring it back, so I wouldnât have to carry it out of the park. There isnât enough room on the sidewalk to walk abreast. Transients and children and people in distribution lines take up most of thepavement. Zoe seems to know every tenth person.
Sireen sends me a text message. Finished? Howâd it go?
âStill back there?â Zoe says.
Someone must have handed Zoe a cup of coffee. A cup of something. She holds it at a right angle to her chest, looking at her shoulder, which, in this context, stands in for me. Turning to look at me fully would mean colliding with something in front of her. This is how we source gaze. Only, she owns hers. Young, female, liberated. I am male, and I know enough gender theory that I have been trained to be ashamed of mine.
In this instance, she is substituting me for the tiny hairsâsoft blondeâstanding on her polished scapula. Bright white in the sun. Easier and safer to see than me.
âYes. Still here.â
Coming home? Sireen texts.
âGood,â Zoe says. âItâs not far.â
Soon, I text. Chatting with some of the students.
âGood,â I say.
Love you.
Zoe walks us across the street, between pedi-cabs and smart cars. The architecture casts parallelograms, trapezoid shadowsâits faces and finials and loft-apartments. We watch police on foot patrol. There is screaming somewhere in the arts district.
âSo how did you come up with this idea?â Zoe says.
We walk abreast now.
âThe assignment?â
âThe class.â
âI didnât invent class, Zoe.â
She adjusts a free-hanging dread as we make a turn. Weâre off-street now, between and behind buildings. Fire escapes throw new shadows.
âPeople are talking about you,â she says.
âWhat do they say?â
âThe new Socrates. A teacher for the people.â
She laughs.
Finally.
âHere it is,â Zoe says.
â This is your essay?â
âAmong other things.â
I think about bedroom silence. About the house Sireen and I will buy. How I will spend my evenings quietly, un-educated. A full suppression of identity. By that time, I will have reduced myself to zero, and I wonât need beer, or sex, or drugs to do it.
Homeownership. Peace. The fulfillment of all things, our parents tell us. Our government tells us. I think about standing with a studentâa woman half my size in a sundress and sandals, five blocks deep into a
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