past. It must have been that of all the gods in heaven, the two I’d never got along with put it to me: sandy Ammon, my mother-in-law’s pet deity, who’d first sent Andromeda over the edge, and Sabazius the beer-god, who’d raised the roof in Argos till I raised him a temple. Just then I’d’ve swapped Mycenae for a cold draught and a spot of shade to dip it in; I even prayed for the rascals. Nothing doing. Couldn’t think where I’d been or where was headed, lost track of me entirely, commenced hallucinating, wow. Somewhere back in my flying youth I’d read how to advertise help wanted when you’re brought down: I stamped a whopping PERSEUS in the sand, forgot what I was about, writing sets your mind a-tramp; next thing I knew I’d printed PERSEUS LOVES ANDROMED half a kilometer across the dunes. Wound up in a depression with the three last letters; everything before them slipped my mind; not till I added USA was I high enough again to get the message, how I’d confused what I’d set out to clarify. I fried awhile longer on the dune-top, trying to care; I was a dying man: so what if my Mayday had grown through self-advertisement to an amphisbane graffito? But O I was a born reviser, and would die one: as I looked back on what I’d written, a fresh East breeze sprang from the right margin, behind, where I’d been aiming, and drifted the A I’d come to rest on. I took its cue, erased the whole name, got lost in a vipered space between object and verb, went on erasing, erasing all, talking to myself, crazy man: no more LOVES, no more LOVE, clean the slate altogether—me too, take it off, all of it. But I’d forgot by that time who I was, re-lost in the second space, my first draft’s first; I snaked as far as the subject’s final S and, frothing, swooned, made myself after that seventh letter a mad dash—
“And that’s all you remember?” asked Calyxa.
“That was it, till I woke up here in heaven, in the middle of the story of my life. Would it please you if I kissed your navel once again?”
“Take a chance!” I blushed and did. Here’s how it was: some lost time since I’d died as I imagined with my name, I opened eyes upon a couch or altar, a velvet gold rectangle with murex-purple cushions, more or less centered in a marble chamber that unwound from my left-foot corner in a grand spiral like the triton-shell that Dedalus threaded for Cocalus, once about the bed and out of sight. Upon its walls curved graven scenes in low relief, each half again and more its predecessor’s breadth, to the number of seven where the chamber wound from view—which scenes, when I had come fully home to sense, I saw depicted alabasterly the several chapters of my youth, most pleasing to a couched eye. The first, no wider than the bed from whose sinistral foot it sprang, showed Mother Danaë brazen-towered by vain Acrisius my grandfather for contraceptive reasons, lest she get the son predestined to destroy et cetera; Granddad himself, with Grandmother Aganippe, stroked horses fondly in the court, unaware that up behind them Zeus in golden-showerhood rained in upon their frockless daughter, jackpotting her with me. A pillar divided this mural from the next, as it were on my port quarter: Acrisius had judged Mom’s story counterfeit, called me his twin-brother’s bastard, and set suckler and suckled adrift in a brassbound box; the scene itself was the beach of Cycladean Seriphos: there was young Dictys with his net; he’d fished us in, opened the chest, and stood agape at the sight of sweet-nursing Danaë, in mint condition despite her mal-de-mer. In the background was fairly copied the palace of Dictys’s brother, King Polydectes. The third relief, a-beam of and as long as my altar-couch, was set in Samos: twenty years were passed with the fluted pillar; back in Seriphos the King lusted after Mother, and had rused my rash late-teenhood with a pledge to marry someone else instead if I’d contrive to bring him
“And that’s all you remember?” asked Calyxa.
“That was it, till I woke up here in heaven, in the middle of the story of my life. Would it please you if I kissed your navel once again?”
“Take a chance!” I blushed and did. Here’s how it was: some lost time since I’d died as I imagined with my name, I opened eyes upon a couch or altar, a velvet gold rectangle with murex-purple cushions, more or less centered in a marble chamber that unwound from my left-foot corner in a grand spiral like the triton-shell that Dedalus threaded for Cocalus, once about the bed and out of sight. Upon its walls curved graven scenes in low relief, each half again and more its predecessor’s breadth, to the number of seven where the chamber wound from view—which scenes, when I had come fully home to sense, I saw depicted alabasterly the several chapters of my youth, most pleasing to a couched eye. The first, no wider than the bed from whose sinistral foot it sprang, showed Mother Danaë brazen-towered by vain Acrisius my grandfather for contraceptive reasons, lest she get the son predestined to destroy et cetera; Granddad himself, with Grandmother Aganippe, stroked horses fondly in the court, unaware that up behind them Zeus in golden-showerhood rained in upon their frockless daughter, jackpotting her with me. A pillar divided this mural from the next, as it were on my port quarter: Acrisius had judged Mom’s story counterfeit, called me his twin-brother’s bastard, and set suckler and suckled adrift in a brassbound box; the scene itself was the beach of Cycladean Seriphos: there was young Dictys with his net; he’d fished us in, opened the chest, and stood agape at the sight of sweet-nursing Danaë, in mint condition despite her mal-de-mer. In the background was fairly copied the palace of Dictys’s brother, King Polydectes. The third relief, a-beam of and as long as my altar-couch, was set in Samos: twenty years were passed with the fluted pillar; back in Seriphos the King lusted after Mother, and had rused my rash late-teenhood with a pledge to marry someone else instead if I’d contrive to bring him
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