Pillar says. “Let the old man help us out of here first.”
Father Williams knuckles his fingers and takes a deep breath. “I haven’t done this in a few years, so I may look a bit rusty.”
“I’m sure rusty isn’t that bad,” The Pillar seems amused. “Why don’t you start with your famous somersault?”
I am baffled, unable to fathom what’s going on.
But Father Williams surprises me with an actual somersault, as if he were an Asian teen Ninja from an anime of ridiculous superheroes.
“Frabjous,” The Pillar says, helping keep Father Williams stable on his feet. “Go get them!”
With a wide open mouth, I watch Father Williams use his remarkable techniques, somersaulting, walking on walls, on hands, fighting with his bare arms, and kicking everyone’s butt outside.
“What’s going on?” I ask The Pillar.
“I will tell you on our way out.” The Pillar elbows me and pulls me outside where we start to descend the spiral stairs while Father Williams is kicking Reds left and right.
“How can he do that?” I ask.
“He is something, isn’t he?” The Pillar enjoys the view of the fight from atop. “No wonder Carroll made him a keeper of secrets.”
“Shouldn’t we help him?” I say.
“Father Williams can take care of himself. Didn’t you ever read Carroll’s poem about him?”
“What poem?”
At this moment, things become extremely surreal. The Pillar recites Carroll’s poem in a musical way that makes it sound like a soundtrack for Father Williams’ killings left and right. It’s a long poem, mentioned in few Alice in Wonderland copies. It describes an old man called Father Williams who has no worries about growing old. In fact, he eats like a young man. Plays like a child, and plays sports as if he is a nineteen year old athlete. Part of the poem says:
"You are old," said the youth, "As I mentioned before,
And have grown most uncommonly fat [Father Williams];
Yet you turned a back-somersault in at the door—
Pray, what is the reason of that?"
It perfectly describes Father Williams, who is a miracle by all means. Even the Chessmaster’s men can hardly believe what’s going on.
Once we reach the bottom of the stairs, The Pillar guides me to a side door, which I kick open. Right there before us is the large chessboard of Marostica, bordered by the Chessmaster’s men in every direction.
I pull back my sleeves. “It’s time to use my None Fu.”
“No it’s not,” The Pillar tells me, but I can’t see him. Where did he go? “If anyone really knows None Fu, it’d be Father Williams, not you.”
“But he is still fighting the others by the stairs.”
“That’s why I am hoping you know how to ride a horse,” The Pillar says. This time I locate him, riding the horse, which the chess players originally used to resemble a knight on the large Marostica chessboard.
“I don’t know how to ride horses,” I say.
“Then hop on behind me,” he says, and I do, clinging to him from the back. “It’s about time we escape this place.”
The Pillar rides away, only we’re surprised when the horse doesn’t run in straight lines, but in L-shapes, just like a knight is allowed to move on a chessboard.
Chapter 22
World Chess Championship, Moscow, Russia
Not for a moment did the Chessmaster hesitate with his moves. On the contrary, the world leaders took too much time. Part of it was squeezing their thoughts for a winning move, but most of it was stalling, in case Alice and The Pillar could find Carroll’s Knight — whatever that was.
But the Chessmaster was losing patience and getting more furious by the minute, especially after Alice and The Pillar escaped with Carroll’s Knight in their pocket.
The Chessmaster faced the camera and warned the world of the consequences that would occur if he didn’t get what he wanted in a few hours. “This is a call to the world,” he began. “Don’t think I have no more rabbits under my hat. Killing your
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