âThe Endâ we get. Mom would hear in the news about some earthquake in India or some mud flood in Colombia and sheâd see them as signs of âThe End.â That still hasnât changed. But not me, I got fed up. I wanted to do something with my life other than just wait for the world to end. Maritza went to school and graduated college. She studied civil rights, and when no one in Spanish Harlem was buying her socialist agenda, she began to save the world using the very God she had made fun of me for once believing in.
âHereâs the address, Julio. Hurry.â
âAll right, all right, God.â I say and take the piece of paper sheâs handed me. I cross the 59th Street bridge, not feeling groovy at all. So Iâm thinking that this is a Planned Parenthood branch or some back-alley shanty Maritza knows about. Instead this clinic is located on Northern Boulevard, the aorta of Queens. The clinic is right smack in the center, where all types of businesses hit you at onceâdentist offices, real estate brokers, jewelry stores, restaurants, banksâthey warenât hiding anything.
âYou have to come inside with us,â Maritza demands. The girl is still shaking.
El Centro de CirugÃa Plástica
is not a name used in disguises, itâs not called that to divert attention, itâs called that because thatâs what it is. Surgery. The plastic kind.
I park the car.
I walk in and, except for Maritza and the frightened girl, the waiting area is empty. The room is a soft pink and there are tastefully framed posters of beautiful women on the walls. A television is playing MTV
en Español,
with the volume down. Shakira is shaking her Arab roots like she has been thrown in a body of water right in the dead of winter.
The door swings and a woman walks in. Her hair is beautiful, her legs long and slender, her breasts the size of baseballs, with a perfect rise you only get from implants.
âSo,â the woman says coldly, writing on her clipboard, âshe needs to be a
señorita
again?â
âYes,â Maritza answers for the girl, who all of a sudden starts crying like her mother had died in her arms.
âItâs all right sweetie,â the woman says, laying her hand on the girlâs knee,
âes muy simple, no tengas miedo.
Weâll sew it back up like it was before, like nothing has happened.â
âWill she need anesthesia?â Maritza strokes the girlâs hair as the girl cries on her shoulder.
âNot much, just local.
Mira
sweetie,â the woman tells the girl whose head is buried in Maritza arms,
âno te apures, todo se cose. Serás virgen de nuevo.
â
âNo sé lo que me hará,
â the frightened girl sobs,
âél cree que soy virgin
â¦â
The girl canât finish her words before breaking down. I think she canât say that her father might kill her if her husband brought her back as damaged goods.
The woman with the clipboard isnât moved, like sheâs heard all this before. She even whispers a little curse when she writes something down incorrectly. She begins to erase it, candidly speaking to Maritza.
âDonât worry, the doctor is licensed and knows what heâs doing,â she tells Maritza. âYour cousin will be fine. We do this all the time. We leave a small opening unsewn for the, you know, her period. But everything else is put right. Her hymen will be intact like before. He wonât know a thing. On her wedding night, the walls will be tight and there will be blood on the sheets. Sign here.â Maritza signs. âI need the credit card,â and thatâs when Maritza points at me.
I back away slowly, like a gun has been pointed at me. I see Maritza telling the woman to take âher cousinâ inside for the doctor to start the operation.
I exit the clinic and walk to my car. Maritza catches up with me.
âWait Julio, wait,â she
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