ground. Not enough. It has to be so deep that he can stand in it, with only his fingertips brushing the air.
His father gets to his feet.
Take the money
, he tells the men. He gestures towards Matthew, and Matthew steps out from his hiding place and onto the road. He goes to stand beside his father. His father places his hand on Matthew’s shoulder.
Minutes pass, perhaps hours. The plantation falls away, and he returns to the house on Jalan Campbell. High on a shelf, there is a wooden box whose contents he cannot see. All he hears is the scratch of a record, then a woman’s voice. Through a doorway, he glimpses his parents standing together, his mother holding a jacket open, his father sliding his arms into the sleeves. She runs her hands across his back. He turns to face her. Matthew climbs down into the hole that he has made. There are places so narrow that he has to use his body to widen the opening. When he is standing at the bottom, he reaches his hands up and turns his face towards the fresh air. The dirt surrounding him radiates heat, and he realizes that his entire body is sweating, he can feel the drops running from his hair, down his face and neck. Gripping the surface, he braces his knees against the walls of the hole and forces himself out. He feels no pain and no fatigue. His arms lift him out of the ground and he does not feel the effort.
Lying on his stomach, he lowers the sack as far as he can, then lets it go, hearing it strike at the bottom of the hole. The glass jar does not seem to break. Slowly, he replaces the dirt until the hole is completely filled. He packs the earth down carefully, using his hands and feet to remove any signs of disturbance.
As he does this, he listens for men or trucks, but even the cicadas have stopped their singing and the air is still. Again and again, his thoughts return to the burning embers, the rifle on the ground and the pistol in the soldier’s hand, but he pushes these images away. He has swallowed something wrong. Inside his skin, something that he cannot contain is pulsing and breathing, but there is no way to let it out.
Walking back, he sees a dull light flickering inside the hut and realizes that his mother has returned before him. He lingers outside, staring at the faint candlelight. Dirt is caked to his skin, and he stands in the grass, crumbling the pieces off with his hands. He has lost his shirt, but he does not remember how or when. There are no sounds of planes or gunfire; the night is extraordinarily calm, peaceful. Matthew gathers himself together and walks forward. Alongside the hut, he sees, as if from another time, the bicycle wheel and the stick lying beside it. He pushes open the door.
On the table, a low candle wavers. He stands motionless, looking into the shadows. The hut is empty.
There are two plates of food, rice and meat. The food smells so fragrant, so good, a dizziness comes over him, but he cannot bring himself to eat. One of the settings, he realizes, is meant for his father. A third dish, his mother’s, is sitting empty but unwashed on the other side of the table. His mother has been here, but now she has gone, and this realization makes him pause, eyes stinging. Did the Japanese soldiers return? But there is nothing out of place in the hut.
Shaking, Matthew walks to the other side of the table. Beside his parents’ bed, the metal tub has been filled with water; it is a still lake in the half-darkened room. He touches the surface, the water is warm. He can smell his mother’s soap, the small perfumed square that she keeps wrapped in paper. When he has taken off his clothes, he climbs into the bath. The panic begins to subside, and he slides down until only his mouth and nose remain above the surface, the dirt from the plantation dissolving off his skin. He keeps his eyes open as the room moves in waves above him.
Go now. Quickly.
The soldiers in the truck drive away, and their lights sweep across his father, who stands on the
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