outward from ground zero, suggesting at first an apocalyptic plum pudding, then an immense Santiago pilgrimâs hat. The blast front flattens concrete buildings, tears palm trees out by the roots, and draws a tidal wave from the Pacific. Now the filmmakers give us a half-dozen shots of the inevitable mushroom cloud. I gaze into the roiling crimson mass, reading the entrails of human ingenuity.
âYouâre free of cancerâ and âYouâre the lover Iâve been looking for my whole lifeâ are surely two of the most uplifting sentences a person will ever hear, and it so happened that both declarations came my way during the same week. An optimist at heart, I took each affirmation at face value, so naturally I was distressed when the speakers in question began backpedaling.
No sooner had Dr. Joshua Pryce told me that the latest lab report indicated no malignant cells in my body, not one, than he hastened to add, âOf course, this doesnât mean youâre rid of it forever.â
âYou think it will come back?â I asked.
âHard to say.â
âCould you hazard a guess?â
Dr. Pryce drew a silk handkerchief from his bleached lab coat and removed his bifocals. âLet me emphasize the positive.â In a fit of absentmindedness, the oncologist repocketed his glasses. âFor the moment youâre definitely cured. But cancer has a will of its own.â
In the case of the man who called me his ideal loverâStuart Randolph, the semi-retired NYU film historian with whom Iâve shared a bohemian loft overlooking Washington Square for the past eighteen yearsâI logically expected that his subsequent remarks would concern the institution of marriage. But instead Stuart followed his declaration by arguing that there were two kinds of commitment in the world: the contrived commitment entailed in the matrimonial contract, and the genuine commitment that flowed from the sort of âperfect rapport and flawless communicationâ that characterized our relationship.
âIf we enjoyed perfect rapport and flawless communication, we wouldnât be having this discussion,â I said. âI want to get married, Stu.â
âReally?â He frowned as if confronting a particularly egregious instance of postmodern film criticism. Stuartâs an auteurist, not a deconstructionist.
âReally.â
âYou truly want to become my fourth wife?â
âAs much as I want you to become my fifth husband.â
âWhy, dear?â he said. âDo you think weâre living in sin? Senior citizens canât live in sin.â
âImitation of Life is a lousy movie, but I like it anyway,â I said. âMarriage is a bourgeois convention, but I like it anyway.â
âShould the cancer ever return, dearest Angela, youâll be glad youâve got a committed lover by your side, as opposed to some sap who happens technically to be your husband.â
Stuart was not normally capable of bringing romance and reason into such perfect alignment, but heâd just done so, and I had to admire his achievement.
âI cannot argue with your logic,â I told him. And I couldnât. All during my treatments, Stuart had been an absolute prince, driving me to the hospital a hundred times, holding my head as I threw up, praising the doctors when they did their jobs properly, yelling at them when they got haughty. âCheckmate.â
âLove and marriage,â he said. âThey go together like a horse and aluminum siding.â
Have no fear, reader. This is not a story about what I endured at the hands of Western medicine once its avatars learned Iâd developed leukemia. Itâs not about radiation treatments, chemotherapy, violent nausea, suicidal depression, paralyzing fear, or nurses poking dozens of holes in my body. My subject, rather, is the last performance ever given by an old colleague of mine, the biggest
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