onwhich she had asked her grandfather that same question and had received the same one-word answer: “Yes.”
In the two months following the death of his father, the High Priest, Bolón, then sixteen, and Ix Zubin faced a series of difficult problems, for it became evident that the rulers of Cozumel, having received no orders from Mayapán about the Temple of Fertility, were determined to shut it down, but were prevented from doing so immediately by the continued influx of women from the mainland coming to seek assurance from the gods that they would become pregnant. Deciding to wait until steps could be taken to halt this flow, they turned their attention to a great ritual ceremony which was being planned to terminate worship at the temple.
The affair was to have a dual purpose: a dismissal of the old gods of the ancient Maya and a showy confirmation of the new gods of the newer religion. To accomplish this most effectively, the civil authorities decreed that an offering be made to Chac Mool, the powerful rain god, whose benevolence assured proper amounts during the growing season. When Ix Zubin heard of this decision, she was sickened, for there was no god in the pantheon that she detested more than Chac Mool. With ample reason she felt that his savage rites debased the fine temple whose high quality had been protected and enhanced by the men of her family.
Chac Mool, in both appearance and function, was one of the ugliest gods which the conquering strangers from the west had imposed upon the Maya, a deity from strange lands demanding strange sacrifices. He appeared in hundreds of massive stone statues throughout Maya lands, a fierce warrior shown lying flat on his back, his chest propped up by his elbows, his knees flexed, his feet resting firmly on the ground. This unnatural posture meant that his cramped stomach area provided a broad flat space into which was carved a big saucer held in place by the idol’s two stone hands. Obviously, the waiting receptacle was intended to be filled by donations from women who came to seek help from the gods, and on festive days it overflowed with flowers and bits of jade and even pieces of gold, a form of worship to which Ix Zubin did not object.
But the civil authorities, not the priests, ordained that on certain great days, Chac Mool, this brutal figure lying uncomfortably on his back, must receive rather more important gifts than bits of jade.When this edict was made known, male slaves on Cozumel and all young men of the island grew apprehensive, for they knew that what the empty saucer resting on the god’s belly wanted now was a human heart, ripped out of a living body, and that nothing else would satisfy.
When Ix Zubin heard news of the impending festival of rain, she quietly took her son to the temple, being careful not to step in any areas forbidden to women, and led him to the statue. “Look!” she whispered. “Have you ever seen a more terrifying face?” With her customary insight she had identified the real horror of Chac Mool, for in an already awkward position his stone head was turned ninety degrees to the left, so that his warrior face, topped by a big stone helmet covering his hair and with protuberances jutting out from his ears, glared malevolently, the corners of the mouth drawn into a ferocious grimace at whoever might be approaching.
It was a brutal, deformed depiction of the human body, but she had to admit that it was powerful: the figure of a vindictive god demanding his sacrifices, and wherever he appeared throughout the land he was instantly recognizable, for his curious posture was invariable, except that occasionally his ugly stone face was turned to the right rather than to the left. Chac Mool was a god calculated to produce terror in the heart of any beholder, and that had been the purpose of those who had inflicted him on the people.
“He’s waiting for a human heart,” Ix Zubin whispered. “That was never intended in this temple. He’s
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