with, to cancel. When I asked him if he was all right, he said he was just going home to sleep. I told him I was sure there was some mistake about Miranda, that Iâd phone her husband myself if thatâs what he wanted. He said, âNo, wait, Iâll think of something,â and left me feeling irrelevant, superfluous, as he often did.
My mind needed a rest. I went to see a movie with John Goodman in it, because John Goodman was in it, and spoke to no one except the woman in the ticket booth. Afterward I wandered in a department store in Triangle Square without knowing what I was looking for. I ignored the sales associates, as they like to call themselves, and hoped they thought I was a mean and shifty shoplifter.
Later, I walked a couple blocks down the street, headed for a coffeehouse with pretensions of hippiebeatdom. Alongside me, slick-looking cars swept along the boulevard, their cloth tops down, the music up, the drivers busy with gum and lush with new spring tans and expensive sunglasses.
The walls in the coffeehouse were painted black and jazz was playing. I ordered a blend of something African with a dollop of whipped cream and went to sit at one of the round blue tables. Across the room a single, skinny, morose man with a gold ear cuff and a pointy beard turned pages in a worn New Yorker . He humped the pages over with a long finger, whish-pause, whish-pause, regular in the rhythm, as though he were a speed reader with the knack down pat.
On the chair next to me was a thin book with ornate letters on front: SCPJ . I opened it and saw it was the literary journal from Cal State Fullerton, and it was all poems. I read a few. I donât know much about poetry, but it seemed good, and I read about deer and candles and things I hadnât thought about in a long time. The caffeine and silence eventually brought me around.
âI tried phoning you earlier,â I said to Joe, reaching him about ten that night.
âI was out with Jennifer.â
âOh.â
âShe needed to talk about David. His college, like that. We hadnât made plans, you and me.â
âWhereâd you go?â I asked.
âAre you jealous?â
âOf course not.â
âYou are.â
âI understand you have to talk to her about stuff. Whereâd you go to eat? New place?â
âI tried you at four,â he said.
âNobodyâs ever home.â
âIt seems that way, doesnât it?â
âI didnât see a message,â I said.
âThereâs a strain in your voice.â
âI just wanted to tell you something. My brother came to see me. Nathan. Heâs living here now.â
âYou didnât know that?â
âOur familyâs a little different.â
âAre you all right? You sound depressed.â
âI think the victim in Carbon Canyon could be my ex-sister-in-law.â
âNo way.â
âBullshit, no way. Listen to this,â I said, and then I told him about Nathan seeing Miranda while he was still married, while she was still married, and when I did, it felt like a betrayal to them both. But I pressed on. I told him about the discrepancies in what the pathologist said and with what I knew about Miranda: the pregnancy, the presumed age. For some reason, I held back about the breast implants. Nathan hadnât directly answered yes, that she had had them, but I thought I read it in his eyes. I held back because I didnât like to talk to men about women having surgery on themselves. Itâs too easy to joke. And who knows, I may have a lift and tuck someday myself, even though I currently disapproved. I wondered if it was Nathan who encouraged her to do it.
âYou just said it doesnât add up.â
âBut whatâs her car doing out there, then? Joe, Iâm sure that body in the canyon is Miranda Robertson. Itâs got to be.â
âYou want me to come over?â
âNo. What good
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