became acutely aware of what he glimpsed, as if he was studying scenes from a stained-glass window or the intricate details of one of the Hangman of Rochester’s wall paintings at St Erconwald’s. Friar Roger was chattering like a sparrow on a twig, but Athelstan was distracted by the swirling images which surged out towards him on that brisk, cold February morning. Church bells clanged, marking the end of morning Mass and the beginning of the eleventh hour. Market horns brayed. Whores screamed and cursed as they were led down to the thews to the sound of blaring bagpipes. Traders, tinkers, fripperers and geegaw-sellers set up stalls and booths, ringing the air with their shouted offers of mousetraps, ratkillers, bird cages, bottles, ribbons, collops of meat and fresh fruit. Itinerant cooks, dressed in rotten, stinking weeds, pushed their battered barrows with portable stoves; around the cooks’ unwashed necks hung strips of ancient but heavily salted meat ready for grilling. An enterprising water-seller with a tub on his back trailed behind these offering ‘the freshest water from St Mary’s spring’ to slake, salted throats. The crowd pushed backwards and forwards, thronging down the narrow lanes where the grotesquely carved gables of shops and houses jutted out above dark and dingy chambers. Slops were being emptied into the already fetid, crammed sewers. Space was narrow; people had to step aside for Lascelles’ cavalcade. Curses and threats were hurled and, on a few occasions, slops from upper chambers narrowly missed them as night jars were emptied. Southwark, however, was different from the city, where resentments rankled deeper. In Southwark the dog-leeches, sow-gelders, rumagates, runaways, jingle-brains, tooth-drawers, broom men and a multitude of lowlife were hotly against any titled authority. All these denizens from their ‘ruffians’ hall’, as Cranston described them, wandered the streets looking for mischief or anything which might brighten their lives.
Justice was also busy. The Carnifex, the Southwark executioner, was performing his grisly trade on the approaches to the bridge. A moveable three-armed scaffold was being pushed along the riverside with a strangled, purple-faced malefactor hanging from each branch of the gallows; notices pinned to their filthy nightshirts proclaimed how these criminals were guilty of committing arson in the royal dockyards. A failed magician, who’d tricked people out of their coins for nothing in return and aptly rejoiced in the name of ‘Littlebit’ was being fastened in the stocks. Former customers had gathered, picking up rotting rubbish and even filth from the sewer running down the centre of the lane, intent on pelting him. A mad woman, her hair painted purple and garbed in rabbit skins, stood on a broken barrel. She proclaimed how once upon a time she had been a luxuriously adorned maiden who used to sit in a hazel grove until Satan had appeared in the guise of a bird-catcher and snared her soul. Next to her, three whores, whose grey, grimy naked buttocks had been soundly birched, were being fastened in the pillary for ‘lechery beyond their threshold’. Athelstan noticed with grim amusement the placards hanging around their clamped necks; these declared how the two younger ones were ‘
Mea Culpa
’ and ‘
Mea Culpa
’
–
‘my fault’ and ‘my fault’, whilst the third, their mother, was named ‘
Maxima Culpa’
– ‘my most grievous fault’.
On the corner of the lane a preacher and his travelling troupe had rented the Eyrie, a plot of ground reserved for mummers and their plays. The preacher – Athelstan could not decide if he was acting or genuine – was garbed in horsehide, his sun-darkened face almost hidden by lank hair through which his eyes gleamed feverishly. He had attracted a good crowd. Athelstan, with a start, noticed a fellow Dominican garbed in the black-and-white robes of his order, standing a little forward of the crowd,
Andreas J. Köstenberger, Charles L Quarles
Rachel Shane
L.L. Collins
Esther E. Schmidt
Henry Porter
Ella Grey
Toni McGee Causey
Judy Christenberry
Elle Saint James
Christina Phillips